Did Someone Say Gestapo?

Can't let the week go by without noting "The Other War: Iraq Vets Bear Witness" in The Nation, a devastating piece of eye-witness testimony described by its authors as an investigation into "alleged military misconduct" of U.S. troops in Iraq.

The three words alleged military misconduct are a legalistic euphemism for the banalized horrors of the war -- "indiscriminate killings" of innocent civilians, "checkpoint shootings," night raids by stormtroopers who act like the Gestapo -- all of which are detailed in firsthand accounts by veterans willing to speak up.

As Spc. Garett Reppenhagen, 32, of Manitou Springs, Colorado, a cavalry scout and sniper, points out, "It's just the nature of the situation you're in. That's what's wrong. It's not individual atrocity. It's the fact that the entire war is an atrocity."

But will the American public get it? Despite polls that say popular opinion has turned against the war, some observers doubt it will make much difference in the long run.

(Crossposted at HuffPo)

Consider what mi amigo William Osborne wrote before the invasion and in another context: America seems to regard its victims as "little more than nameless bystanders, shadows without identity in a netherworld of 'collateral damage.'"

[They are] brown-skinned shadows whose violent demise need not touch the American realm, even if their deaths were caused or abetted by the U.S. government. In short, it's just massive suffering and death in a remote world, something like images of video games beamed from the ethers.

Today, speaking of the war, he dismisses all talk of an American withdrawal as nothing but smoke and mirrors.

Everything is going exactly to plan -- the civil war, the destruction of Iraq, the strategic 'retreat' into bases, and a gradual genocide, both physical and cultural, against the Sunnis (and, in a way, against all Iraqis). 

The Americans will back into their bases and wait out the genocidal civil war. It's been U.S. strategy in Iraq all along. How clever to hide it behind the facade that we 'lost' the war, or are withdrawing in failure.

The theater even includes putting Hillary in office to make the presumed de-escalation and partial withdrawal appear to be democratic -- once we have sown the seeds of death.

And now that it is all done, we will, of course, shed a crocodile tear or two, including suitable articles in The Nation and The New York Times.

Or as that now-forgotten prevaricator Rummy Boy would say, "By golly!"

July 12, 2007 9:56 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
HERMAN WOUK'S LATEST 
It's hard to say which comes off worse in Herman Wouk's latest novel, his first in a decade: the U.S. Congress or the American press. "A Hole in Texas" offers the choice between two emblematic stereotypes: a red-faced opportunist who heads the House Armed Services Committee and a mustachioed investigative reporter for the Washington Post.
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This page contains a single entry by Straight Up | published on July 12, 2007 9:56 AM.

In Promo Mode was the previous entry in this blog.

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