Just Ducky

As American and Iraqi troops launch an offensive near Baghdad, it may be unwise to apply a description of the morale of the French troops at Dien Bien Phu to the mood of the American troops in Iraq.

But even given the enormous differences between the Indochina war and the one in Iraq -- in geography, battle conditions, politics, culture, technology and, of course, causes -- I can't help noticing the aptness of Graham Greene's observation: On the eve of their defeat, in May 1954, the French troops had reached a period "not so much of exhaustion as of cynicism and dogged pride -- they believed in no solution but were not prepared for any surrender."

Greene spent only a day and a night at Dien Bien Phu in January of 1954, two months after six parachute battalions were dropped on the French outpost in a doubling of the military force there. But he sensed the mood accurately, surge notwithstanding. "It was no novelist's imagination which felt the atmosphere heavy with doom," he writes, "for these men were aware of what they resembled -- sitting ducks."

Despite news reports testifying to the can-do spirit of the U.S. Marines, the underlying question "Is U.S. troop morale slipping?" seems more pertinent than ever, especially when a recent study commissioned by the Pentagon has found that "45 percent of the junior-enlisted Army soldiers overall rated unit morale as low or very low" and "one in five soldiers suffers from a mental health disorder like depression or anxiety."

In Iraq the ducks have gone on the offensive, we're told. They're not just sitting there, say the American generals. But let's not forget the French generals said that, too. "What remains a mystery to this day," Greene writes, "is why the battle was ever fought at all, why twelve battalions of the French Army were committed to the defense of an armed camp situated in a hopeless geographical terrain -- hopeless for defense and hopeless for the second objective, since the camp was intended to be the base of offensive operations."

Is the surge in Baghdad like the parachute drop on Dien Bien Phu? I hope not. Military analysts would find the question ridiculous on the face of it. But then it's not the military analysts who've been running this war. It's the French generals in the White House.

(Crossposted at HuffPo)

June 18, 2007 2:00 PM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
HERMAN WOUK'S LATEST 
It's hard to say which comes off worse in Herman Wouk's latest novel, his first in a decade: the U.S. Congress or the American press. "A Hole in Texas" offers the choice between two emblematic stereotypes: a red-faced opportunist who heads the House Armed Services Committee and a mustachioed investigative reporter for the Washington Post.
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