Bulletin From Harm's Way

In case you missed it:

Statements made by the chain of command [during an investigation of the Haditha killings] suggest that Iraqi civilian lives are not as important as U.S. lives, their deaths are just the cost of doing business, and that the Marines need to "get the job" done no matter what it takes.

To refresh your memory:

The killings in Haditha, in Anbar Province, began with a roadside bombing that killed one American marine and wounded two. Several marines then began methodically killing civilians in the area, eventually going door to door in the village and killing women and children, some in their beds, according to a Naval criminal investigation.

So don't forget to do the patriotic thing: Support the troops.

Postscript: A reader writes:

Yes, the linked mainstream media reports about the military investigation deflate the "support our troops" propaganda, at least in part, by showing that a tiny fraction -- a few rogue Marines -- have behaved like murderers. But at the same time another propaganda tactic seems to be presented, which banalizes evil under the guise of journalistic neutrality.

The reports leave the impression we are concerned with justice when, in fact, we're engaged in an unjust war in Iraq that, along with an embargo, has killed around a million people and has so thoroughly decimated the country that the effects will last for a century.

But America's mainstream media never (or rarely ever) publishes articles that mention, much less discuss in detail, that several of our highest leaders are seen as war criminals by many, many very reasonable people throughout the world. It is just some rogue Marines killing 24 Iraqi civilians. Glad to see the media has its priorities straight.

April 23, 2007 8:05 AM |

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Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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