Collateral Damage

Katrina vanden Heuvel writes: "Jan -- Enjoyed your post this Sunday." Nice of her to say so. But here's the real import of her message:

The WashPost editorial page is beyond the pale at this stage not only on Iraq, but on fundamental issues of justice. A week or so ago it was attacking efforts to strengthen the right to organize among workers in this country; then it dismissed the Libby verdict; and on Russia, it crusades with a vengeful hypocrisy.

Vanden Heuvel, who is the editor and publisher of The Nation, also sent her Sunday piece "End the War (On Terror)," the latest entry in her blog Editor's Cut. It marks the fourth anniversary of "America's war against Iraq" as a "time to consider the longterm damage [of] the misconceived 'war on terrorism.'"

BananaRepublicans will accuse her of "mandating failure" of course -- as if they have any right to preach about success -- but it's just another of their galling pet phrases (like "micromanaging the war") to deflect attention from their own arrogance and incompetence.

She writes:

Eventually US troops will leave Iraq because the brutal facts on the ground will compel it. But even as we struggle to get out of this failed war, our political system continues to evade the challenge of finding an exit from the "war on terror." At a time when we need a coherent alternative to the Bush doctrine and an alternative vision of what this country's role in the world should be, we see both parties calling for intensifying the "war on terror" -- even for increasing the size of the military, and for expanding its ability to go places and do things. But who is asking the fundamental question: Won't a war without end do more to weaken our security and democracy than seriously address the threats and challenges ahead?

Witness the collateral damage to our democracy. This Administration has used the "war" as justification for almost anything -- unlawful spying on Americans, illegal detention policies, hyper-secrecy, equating dissent with disloyalty and condoning torture.

The Administration has also justified the expansion of America's military capacity -- over 700 bases in more than 60 countries, annual military budgets topping $500 billion -- as necessary to counter the threat of Islamic extremism and to fight the "war on terror." What too few politicians are willing to say is that combating terrorism -- a brutal, horrifying tactic -- is not a "war" and that military action is the wrong weapon. Illegality and immorality aside, it simply doesn't succeed. Yes, terrorism does pose a threat to national and international security that can never be eliminated. But there are far more effective (and ethical) ways to advance US security than a forward-based and military-heavy strategy of intrusion into the Islamic world. Indeed, the failed Iraq war demonstrated anew the limits of military power.

Amen, sister.

Postscript: Gary Hart weighs in.

March 19, 2007 8:59 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
more picks

Sites to See

About this Entry

This page contains a single entry by Straight Up | published on March 19, 2007 8:59 AM.

Lessons Four Years After? What Lessons? was the previous entry in this blog.

Obamarama is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

Creative Commons License
This weblog is licensed under a Creative Commons License.