Molly Ivins, RIP

Molly Ivins, who died too soon, published her last column a few weeks ago. Headlined "Stand Up Against the Surge," it was a sober, even solemn commentary without so much as a hint of the satirical wit for which she was famous. She called it part of an "old-fashioned newspaper crusade to stop the war."

But Ivins wouldn't be Ivins if her thoughts weren't ripe with a sense of the ridiculous. She loved to skewer the President With His Head Up His Ass as often as possible. For good reason. (See The Molly Ivins Touch.) Her next-to-last column, "Iraq Exit is Up to Us," was more typical of her downhome style. "The president of the United States does not have the sense God gave a duck -- so it's up to us," it began. "You and me, Bubba."

There are many tributes to Ivins being published. Here are two at truthdig with a great photo of her. The headline on her obituary in Mother Jones, "Death of a Hellraiser: Mourn the dead, fight like hell for the living," says what's needed. Or as she concluded in her last column:

We are the deciders. And every single day, every single one of us needs to step outside and take some action to help stop this war. Raise hell. Think of something to make the ridiculous look ridiculous.

Here's a video interview with Ivins from July, 2004, when her last book was published. Click the link. There's also a transcript.

Postscript: My staff of thousands should have paid more attention. Whitney Balliett has also died. Doug Ramsey -- whose Rifftides blog on jazz I love to read -- waved good-bye with a note of appreciation that had, as usual, just the right touch.

PPS: I just got around to reading "Missing Molly Ivins," (this morning's, Feb. 2, Friday column) by Paul Krugman. It's too good to keep locked behind the NYT subscription wall. He writes:

I've been going through Molly's columns from 2002 and 2003, the period when most of the wise men of the press cheered as Our Leader took us to war on false pretenses, then dismissed as "Bush haters" anyone who complained about the absence of W.M.D. or warned that the victory celebrations were premature. Here are a few selections:

Nov. 19, 2002: "The greatest risk for us in invading Iraq is probably not war itself, so much as: What happens after we win? ... There is a batty degree of triumphalism loose in this country right now."

Jan. 16, 2003: "I assume we can defeat Hussein without great cost to our side (God forgive me if that is hubris). The problem is what happens after we win. The country is 20 percent Kurd, 20 percent Sunni and 60 percent Shiite. Can you say, 'Horrible three-way civil war?' "

July 14, 2003: "I opposed the war in Iraq because I thought it would lead to the peace from hell, but I'd rather not see my prediction come true and I don't think we have much time left to avert it. That the occupation is not going well is apparent to everyone but Donald Rumsfeld. ... We don't need people with credentials as right-wing ideologues and corporate privatizers -- we need people who know how to fix water and power plants."

Oct. 7, 2003: "Good thing we won the war, because the peace sure looks like a quagmire. ...

"I've got an even-money bet out that says more Americans will be killed in the peace than in the war, and more Iraqis will be killed by Americans in the peace than in the war. Not the first time I've had a bet out that I hoped I'd lose."

So Molly Ivins -- who didn't mingle with the great and famous, didn't have sources high in the administration, and never claimed special expertise on national security or the Middle East -- got almost everything right. Meanwhile, how did those who did have all those credentials do?

With very few exceptions, they got everything wrong. They bought the obviously cooked case for war -- or found their own reasons to endorse the invasion. They didn't see the folly of the venture, which was almost as obvious in prospect as it is with the benefit of hindsight. And they took years to realize that everything we were being told about progress in Iraq was a lie.

Was Molly smarter than all the experts? No, she was just braver. The administration's exploitation of 9/11 created an environment in which it took a lot of courage to see and say the obvious.

Molly had that courage; not enough others can say the same.

That's just part of what Krugman had to say. truthout is likely to break the subscription lock and post the entire column tomorrow. So go there for it.

February 1, 2007 9:30 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
HERMAN WOUK'S LATEST 
It's hard to say which comes off worse in Herman Wouk's latest novel, his first in a decade: the U.S. Congress or the American press. "A Hole in Texas" offers the choice between two emblematic stereotypes: a red-faced opportunist who heads the House Armed Services Committee and a mustachioed investigative reporter for the Washington Post.
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