'Just Get to the Verb'

Five little words of wisdom. Robert Altman's words. Words cited earlier this week in a tribute to the late director at the Majestic Theatre in New York. Smarter words than the old Hollywood cliché cut to the chase, which of course is what he meant. Fitting, too, given the paradox of a filmmaker who loved words, especially words that overlapped.

It wasn't only Altman's words that dazzled the crowd at the tribute, which ran uninterrupted for more than two riveting hours.

"I do not think he was a lover of truth as much as he was a hater of lies," Robert Reed Altman, one of his sons, told us. "He did not like conformity," Bob Balaban remarked. "This is an understatement. Bob never met a status quo he didn't hate."

The wire reports I read -- AP's in USA Today and Reuters' in the NY Times -- give a pretty good account of what was said, including Balaban's remark and others I took down in my notes. (Tim Robbins: "He would not only not suffer fools, he'd make fools suffer.'' Garry Trudeau: "I just talked about my old friend for several minutes without interruption, with no overlapping dialogue, without him being able to change a word. He would have hated it.")

But the funniest words of the afternoon -- Julieanne Moore's -- went unreported. Moore recounted the thrill she felt when she was cast in "Short Cuts" early in her career. Altman warned her to read the script before accepting, she said. The role he was offering called for frontal nudity, and it was "not negotiable." She said she didn't need to read the script. Plus, she added, "I've got a bonus for you: I really am a redhead."

That is how Altman always told the tale of "my bush," she said. But he told it so many times to so many interviewers that she became sensitive about it and asked him to stop. Besides, she didn't remember making that comment -- not exactly, anyway. Of course he would stop, he told her. He was a gentleman, after all.

Then one evening over dinner at one of his typically convivial gatherings with lots of friends, including Moore, Altman's wife Kathryn began to tell the tale of the bonus. Altman looked up, and true to his gentleman's word, politely shushed her, putting his fingers to his lips. "Julieanne," he said, "doesn't want us to talk about her pussy."

February 22, 2007 1:59 PM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
HERMAN WOUK'S LATEST 
It's hard to say which comes off worse in Herman Wouk's latest novel, his first in a decade: the U.S. Congress or the American press. "A Hole in Texas" offers the choice between two emblematic stereotypes: a red-faced opportunist who heads the House Armed Services Committee and a mustachioed investigative reporter for the Washington Post.
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This page contains a single entry by Straight Up | published on February 22, 2007 1:59 PM.

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