Over the Top

Take a close look. Does he bear any resemblance to the President With His Head Up His Ass, a k a Prez Huha?

It's Alfred Jarry's woodcut of Père Ubu, better known as Ubu Roi, and it comes to mind as a prelude to Huha's speech tonight because a reader has just suggested Père Bubu (Papa Bubu) or BuBu Roi (King BuBu) as our new moniker for the whatsisface who occupies the White House.

"Maybe a bit literary," he writes, "but fitting for an arts website. And this is the centennial year of Jarry's death."

The staff likes the term, especially the kicky Wikipedia description: "Ubu is a nobody. He is fat, stupid, greedy, cowardly, and evil." But I'm not sure.

When I say Papa Bubu I get a different echo, more of an association with Papa Doc, who terrorized the Haitians under his misrule as an incarnation of the voodoo spirit Baron Samedi in top hat and tails. (His secret police, the Tontons Macoute, did the dirty work.) But while Papa Doc's infamous declaration -- "God and the people are the source of my power. I have twice been given the power. I have taken it, and damn it, I will keep it." -- fits Prez Huha with eery precision, it's all a bit over the top, methinks.

Even Papa Huha (sorry, Prez Huha) would not claim, as Papa Doc did, that he was a voodoo Jesus Christ and God himself, would he? And if he did, I doubt that his evangelical base would buy it. Besides, has Huha ever appeared in public in top hat and tails? Not to my knowledge (although he gave it a try in post-Katrina New Orleans).

January 10, 2007 11:01 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
HERMAN WOUK'S LATEST 
It's hard to say which comes off worse in Herman Wouk's latest novel, his first in a decade: the U.S. Congress or the American press. "A Hole in Texas" offers the choice between two emblematic stereotypes: a red-faced opportunist who heads the House Armed Services Committee and a mustachioed investigative reporter for the Washington Post.
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This page contains a single entry by Straight Up | published on January 10, 2007 11:01 AM.

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