KEITH OLBERMANN HAS THE RIGHT INITIALS

So much goes by so swiftly, there's no point in trying to catch up. But KO's recent editorials must be noted as knockouts. I'm thinking particularly of his special commentary on lying, broadcast on Oct. 5. I presume you've seen it. If not, you missed the single best opinion piece on mainstream television. For that matter, it may have been the best to appear anywhere.

Keith Watch it. Read it. Relish it. The Bullshitter-in-Chief "comes across as a compulsive liar," he says. He "has savaged the very freedoms he claims to be protecting from attack," and "it is now impossible to find a consistent thread of logic as to who [he] believes the enemy is."

It seems to me no accident that "Countdown," Olbermann's daily cable show on MSNBC, has doubled its audience. But if god forbid the Republicans retain control of the Congress after next month's mid-term elections, will MSNBC execs keep him on the air? Or will he be Donahued? Given their lack of principles in the past -- and notwithstanding Olbermann's own comment that "as long as you make them money, they don't care" --- let's hope they're not put to the test.

PS: A friend writes:

A Keith Olbermann classicI've been watching him a long time & he just gets better. Did you catch his piece on the elimination of habeas corpus, the one where he draws a big red X through one article after another in the Bill of Rights? It's a classic.

PPS: Yes, I caught it. And this, too, the day before, "Habeas corpus sellout," by Nat Hentoff. And just this morning (Oct. 15) the NYT editorial "Guilty Until Confirmed Guilty." Another friend writes, "That Hentoff's piece appeared in The Washington Times gives me hope." Ha. Doan make me laff. The whole shebang is a mockery.

October 11, 2006 2:14 PM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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