UNMERRY-GO-ROUND

History doesn't repeat, but does it go round and round? Consider these words, posted on May 17, 2004, in "Report From the Land of Is":

If "regime change" comes in November, [Paul] Krugman said, he hoped the next administration would "throw open the records" and not be "too magnanimous" to this one. "I believe the sunshine is going to be quite deadly," he said. It is precisely because the Bush regime has so much to hide, Krugman added, that the upcoming "election campaign is going to be so bitter."

The campaign was bitter. Regime change not only didn't happen, the Bullshitter-in-Chief's regime took over totally. Sunshine -- that is, Congressional inquiries with Democrat-controlled subpoena power -- hid behind Republican clouds in both the House and Senate.

Now consider these words, reported today on the front page of The New York Times, in "Rove Is Using Threat of Loss to Stir G.O.P."

The prospect of the administration spending its last two years being grilled by angry Democrats under the heat of partisan spotlights has added urgency to the efforts by Karl Rove and Mr. Bush's political team to hang on to the Republican majorities in Congress.

The American electorate didn't give enough of a shit to let the sunshine in last time. We'll see, come November 2006, if it gives a shit this time around.

Postscript: Is the unspeakable murder of Atwar Bahjat what's called "progress" in Iraq?

May 8, 2006 9:47 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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This page contains a single entry by Straight Up | published on May 8, 2006 9:47 AM.

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