THE LIES WITHIN

Burroughs rubber stamp, from JH's fileSo the New York Public Library bought the William S. Burroughs archive, with "11,000 pages of manuscript and typescript material," most of it from the 1960s and '70s, and never seen by scholars. The purchase likely cost millions. The report doesn't mention the price. It does mention Burroughs's cut-up experiments and his sense of humor. I wonder whether the collection includes the manuscript for this tasty morsel from HARD/1, a little mimeo mag that appeared in the summer of 1972, which I have in my files.

Lie Lie Lie

By William Burroughs

Xolotl and Ouab are organizing guerrilla resistance in South America. First step is to weed out the proliferating CIA infiltrators ...

A jungle camp. The CIA volunteer with a dead man's cover story is escorted into a thatched hut by two guerrillas.

Xolotl is sitting on a stool the shrunken heads of other CIA agents on shelf behind him a tiny American flag at half mast planted by each head. The CIA man's cover story stirs queasily. Xolotl is a black salamander boy with yellow electric eyes. A Ouab bird is perched on his shoulder. He motions the CIA man to a stainless steel stool in front of him. The two escorts stand in the doorway of the hut machine guns cradled chewing coca juice.

"Welcome friend if you are one. Sit here and hold my hands ..."

HARD/1 [Summer 1972, Cambridge, Mass]Ouab the cat boy with quick precise fingers is making adjustments on an improvised switchboard. A dome-shaped metal reflector descends from the ceiling and stops two feet above the CIA man's head. He looks up nervously.

Xolotl: "Are you connected with the CIA or any related intelligence service?"

"No senor. Those cabrones killed my brother ..."

"Lie Lie Lie" screams the Ouab bird. Ouab electrocutes the CIA man with a blast of DC.

"That's the way they should have made electric chairs in the first place. DC not AC."

Ouab perfects a small portable lie detector that can be used by anyone after a few weeks training.

"Are you connected to the CIA? That reads. What do you consider this could mean?"

The CIA man's head shrinks to the size of an orange. Doktor Kurt Unruh von Steinplatz holds the head in his hand as he addresses intelligence agents.

"So a stupid head ... We can inflitrate as well and better ..."

Here is the seedy generalissimo in a Miami cocktail lounge with two CIA men.

"Yes I will have another double whisky. Yes we will resist the slave driver Mao and his gang of cut throats with the help of our American FRIENDS" ...

And here is a top-level defector with his brief case. Hot biological weapon. Just one little piece of misdirection ...

PS from Herr Doktor von Steinplatz: "We are on course so using the cold war nonsense for our own purposes."

Which is a lie within a lie within a lie.

Burroughs always said real events do not occur until a writer writes them. Curveball, anyone? ("Top-level defector with his brief case. Hot biological weapon. Just one little piece of misdirection.") To say nothing of the Viet-'Raq connection ("... dishonesty and deception ..." etc.) Furthermore, I normally wouldn't think of yoking Bill Burroughs and Ted Sorenson in the same sentence. But given Sorensen's emphatic remark yesterday about the mendacity of the current U.S. regime and this old Burroughs satire in my files, I think their names fit well together.

March 2, 2006 9:47 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
HERMAN WOUK'S LATEST 
It's hard to say which comes off worse in Herman Wouk's latest novel, his first in a decade: the U.S. Congress or the American press. "A Hole in Texas" offers the choice between two emblematic stereotypes: a red-faced opportunist who heads the House Armed Services Committee and a mustachioed investigative reporter for the Washington Post.
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This page contains a single entry by Straight Up | published on March 2, 2006 9:47 AM.

TED SORENSEN'S ITALICS was the previous entry in this blog.

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