TORTURE: THE REAL McCOY
The subject of torture is back with a vengeance not only in the latest Abu Ghraib photos obtained by Salon, but in "The Memo," Jane Mayer's latest exposé, which pins the blame on a gang of war criminals running the U.S. government.
So before it disappears into the past, here's a must-see: Alfred McCoy speaking with Amy Goodman in a Democracy Now! interview that aired on Friday. He is the author of "A Question of Torture: CIA Interrogation, from the Cold War to the War on Terror," published last month by Metropolitan Books. McCoy, who is also a professor at the University of Wisconsin-Madison, gives an absolutely riveting account of the history of torture techniques perfected by the CIA over the past 50 years.
Some of it may surprise you. For instance, McCoy says that all the CIA's research with electroshock, hallucinogens, and other drugs came to nothing as interrogation tools. LSD, mescaline, and sodium pentathol, the so-called truth serum, simply did not produce useful results.
Instead the agency discovered that the two principal tools that worked were simple, even boring techniques: 1) sensory deprivation, and 2) self-inflicted pain. With these two techniques alone CIA researchers were able to induce psychosis in research subjects, he says. Since then the CIA has added sensory overload (such as loud music) and two more techniques, perfected at Guantanamo and later brought to Abu Ghraib: 3) cultural sensitivity ("particularly Arab male sensitivity to issues of gender and sexual identity"), and 4) individual fears and phobia.
McCoy's presentation is far more striking and detailed than you get from my outline. He also traces the development of Army and CIA interrogation manuals, actual practices, and Congressional legislation regulating them. And much of what he says may be confirmed with ease, he adds, by typing KUBARK into the Google search engine. (Or just click the link.) This will get you to a list of relevant documents, including the formerly secret 1963 CIA counterintelligence interrogation manual. McCoy suggests reading the manual footnotes because that's where some of the most interesting information is. If you click on this, you can see the actual training manual documents, which illustrate the linkage at key points from 1963 to 1983 to 1992. And don't forget to have fun.
Now read this from Bob Herbert's column on Monday, "The Torturers Win." Herbert describes what he calls "the quintessential example" of extraordinary rendition -- the CIA's "reprehensible practice" of outsourcing torture, i.e., kidnapping suspected terrorists and secretly packing them off, drugged, hooded and shackled, to foreign countries for interrogation -- along with proof that the U.S. regime's war criminals have already subverted the American justice system.
Terrible things were done to Maher Arar, and his extreme suffering was set in motion by the United States government. With the awful facts of his case carefully documented, he tried to sue for damages. But last week a federal judge waved the facts aside and told Mr. Arar, in effect, to get lost.
What were those terrible things? Just this: Arar, right -- "a 35-year-old software engineer who lives in Ottawa, [Canada], with his wife and their two young children [and had] never been in any kind of trouble" -- was subjected to extraordinary rendition. In other words, he was "seized and shackled by U.S. authorities at Kennedy Airport in 2002, and then shipped off to Syria, his native country, where he was held in a dungeon for the better part of a year."
His guards beat him with electrical cable. Cats pissed on him. He himself had no place to piss or shit except in his unheated, rat-infested cell, which was the size of a grave and just as dark, Herbert writes. After 10 months, "when even Syria's torture professionals could elicit no evidence that he was in any way involved in terrorism," he was released and no charges were ever filed against him.
The Center for Constitutional Rights in New York filed a lawsuit on Mr. Arar's behalf, seeking damages from the U.S. government for his ordeal. The government said the case could not even be dealt with because the litigation would involve the revelation of state secrets. ...... U.S. District Judge David Trager dismissed Mr. Arar's lawsuit last Thursday [and] wrote in his opinion that "Arar's claim that he faced a likelihood of torture in Syria is supported by U.S. State Department reports on Syria's human rights practices."
But in dismissing the suit, he said that the foreign policy and national security issues raised by the government were "compelling" and that such matters were the purview of the executive branch and Congress, not the courts.
He also said that "the need for secrecy can hardly be doubted." ... As an example of the kind of foreign policy problems that might arise if Mr. Arar were given his day in court, Judge Trager wrote:
"One need not have much imagination to contemplate the negative effect on our relations with Canada if discovery were to proceed in this case and were it to turn out that certain high Canadian officials had, despite public denials, acquiesced in Arar's removal to Syria."Oh yes, by all means, we need the federal courts to fully protect the right of public officials to lie to their constituents.
Sidenote: A front-page article in today's New York Times says another case "has come to symbolize the C.I.A. practice known as extraordinary rendition" -- that of Khaled el-Masri, "a German citizen of Arab descent who was arrested Dec. 31, 2003, in Macedonia before being flown to [a] Kabul prison." Well, takes yer cherce: Arar or Masri. And doncha just love that description, "arrested" and "flown"? Soooooo travel agent.
Postscript: Speaking of terminology, a friend messages: "Contemporary, uh, 'book burning'?"
Categories:
Sites to See
Air America Radio
AmericaBlog
American Leftist
Andante
Antiwar.com
ArkivMusic.com
Articulate
Arts & Letters Daily
because they are dead
Bill Reed
Blogcritics
Booknotes
Bright Lights Film Journal
Buck Fush
C-SPAN
Center for Cooperative Research
Clive James
Consortium News
Cost of War in Iraq
Council on Foreign Relations
Crooks and Liars
TheCuttingFloor
The Daily Howler
David E's Fablog
Democracy Now!
Devil Ducky
Doug Ireland
Editor's Cut
Ehrensteinland
Eschaton
Henry Kisor
The Huffington Post
Inter Press Service News Agency
International Relations Center
Internet Movie Database (IMDb)
Jacketmagazine
James Wolcott
Jan Herman (Literary) Archive
Krugman's Blog:
Conscience of a Liberal
Lannan Foundation
Life During Wartime
Low Culture
Metacritic
Museum of Television & Radio
Nat. Arts Journalism Program
National Security Archive
Noam Chomsky
NO!art
Onion Radio News
The Overgrown Path
Open City
Rain Taxi
The Raw Story
RealityStudio.org
The Reeler
Rhizome
Rwanda Project
Seeing Black
Studs Terkel
Summit Journal
TalkLeft
The Theater Times (Cris Gross)
The 3rd Page
ThugLit: Writing About Wrongs
Times Square Cam
The Tin Man
Truthdig
t r u t h o u t
Wading in the Velvet Sea
Walking Man
Wikigate
Wikipedia, free encyclopedia
Wm. Osborne & Abbie Conant
World O'Crap Man
AJ Blogs
AJBlogCentral | rssculture
Terry Teachout on the arts in New York City
Andrew Taylor on the business of arts & culture
rock culture approximately
Rebuilding Gulf Culture after Katrina
Douglas McLennan's blog
Art from the American Outback
John Rockwell on the arts
Jan Herman - arts, media & culture with 'tude
dance
Apollinaire Scherr talks about dance
Tobi Tobias on dance et al...
media
Jeff Weinstein's Cultural Mixology
Martha Bayles on Film...
music
Greg Sandow performs a book-in-progress
Howard Mandel's freelance Urban Improvisation
Focus on New Orleans. Jazz and Other Sounds
Exploring Orchestras w/ Henry Fogel
Kyle Gann on music after the fact
Doug Ramsey on Jazz and other matters...
Greg Sandow on the future of Classical Music
Norman Lebrecht on Shifting Sound Worlds
publishing
Jerome Weeks on Books
Scott McLemee on books, ideas & trash-culture ephemera
theatre
Elizabeth Zimmer on time-based art forms
visual
Public Art, Public Space
John Perreault's art diary
Lee Rosenbaum's Cultural Commentary
Tyler Green's modern & contemporary art blog
