PICTURE THIS

Muslim rioters offended by the 12 cartoons of Mohammed first published in Denmark -- rioters who went nuts because the content of the cartoons insulted their Prophet, but also because they believe it's blasphemous to picture him at all -- apparently don't know or care that Mohammed has been depicted in their own historical and religious Muslim texts.

Mohammed re-dedicating the Black Stone at the Kaaba, c. 1315I'm quoting that from a friend's e-mail message, though I don't know where the information originated. But I think it's reliable or I wouldn't be posting it. The message came with an attached image, left, which shows a miniature of Mohammed re-dedicating the Black Stone at the Kaaba. It's from Jami Al-Tawarikh ("The Universal History" written by Rashid Al-Din), a manuscript in the Library of the University of Edinburgh; illustrated in Tabriz, Persia, c. 1315.

The really weird information in the message may be less reliable, but I'm betting it's accurate. Here it is:

When a delegation of Danish imams went to the Middle East to discuss the issue of the cartoons with senior officials and prominent Islamic scholars, the imams openly distributed a booklet that showed not only the original 12 cartoons, but three fraudulent anti-Mohammed depictions that were much more offensive than the ones published in Denmark. It is now thought that these three bonus images are what ignited the outrage in the Muslim world.

The hotlinked references come from The Counterterrorism Blog, a bigfoot site founded and edited by a corporate-cum-government consultant who describes it as "the first multi-expert blog dedicated solely to counterterrorism issues." The mission statement says the site intends to serve as "a gateway to the community for policymakers and serious researchers" and is "designed to provide realtime information about terrorism cases and policy developments." Maybe it does.

Postscript: Holy shit! How about these depictions of Mohammed throughout history!

February 6, 2006 11:27 AM |

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Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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This page contains a single entry by Straight Up | published on February 6, 2006 11:27 AM.

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