JE M'AMUSE

By way of introduction: I typed and retyped roughly 50 words in columns from the beginning of several texts. I then proceded to read across the columns and typed them again, trusting the words only. They showed me writers who were fed up with Reality. This was the way I saw it long ago: "A short blast of their machine guns, understand, and we talked better than their guns."

JAN HERMAN at the 'puterWords may amuse by exhibiting the ridiculous. If their dying images attract the intellect, it is because they earn their living in a dying galaxy. ("We just kept going until the thing happened in trance & horrible agony. Lightyears filled with compassion for you all.")

Chinese classics were never a one-way trip, not when juggling words seemed exactly right. On the edge, orbiting, wounded, paying dues. News of suicide hit me as it cared. So I typed and retyped these columns to talk.

I lay there riddled with the springs and traps of inspiration, courtesy of Brion Gysin. Streaming holes of what we breathe, terminal holes which formed in the air, in we who breathe in words. And words protest. They came in, hovering above us, a sort of antipray coughing white cloud of ruined sex -- Thee, the Out-word in action.

I was occupied searching for word pattern. Found a rangy young man whose authority was more habit-forming than his life. He hunkered down in gray bone-dry "heroin words." ("No, these are not the fossilized bones near the shores of Lake Rudolph. Addicts talk I am talking about.")

1969 POSTCARD [Photocollage: Jan Herman]The patterns smelled surgical, visual & aural, racing alive again. Smelled like cotton & pistachio nuts and drifted away in one direction to sounds and colored money, in the other to my skin of conspicuously more brain waves ... minute electrical discharges oscillating with Dr. Vassily Lewis, who wrote in a messy hotel room: "Activity can be measured accurately. The pinhole has been graphically recorded where medieval epidemics are occluding."

We were holed up in Superville. He brushed a straight and certain exercise of authority through a lock of rust-colored hair. He used words, authority words, courtesy of Bill Burroughs. He uncovered the skull of a man more habit-forming than heroin, a creature who lived the use of words more than two and a half million years ago, where colorless words formed the bomb-throwers. The future will go next.

Enter ZZ, flipped, saying: "I gotta learn no-chance nugget voice of consciousness." How to use words? She stopped for about two minutes, then snorted out, thinking: "What are words anyway? A few banshee yells." She started to fall, and it frightened her. She haunted the subway and felt very lonely. Deprived of both outlets (sex & words), she became a ritilin freak who'd been drummed out. So she wandered, straight, and ended up in Tangier. "I was so serious, it was a monologue."

-- The Tireless Staff of Thousands took the day off.

January 13, 2006 10:17 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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This page contains a single entry by Straight Up | published on January 13, 2006 10:17 AM.

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