PLAN FOR MORE BULLSHIT

Bullshitter-in-Chief on the USS Abraham Lincoln [AFP photo]
Going from "Mission Accomplished" on the aircraft carrier USS Abraham Lincoln to "Plan for Victory" at the U.S. Naval Academy, two and a half years later, signifies progress in the surreal world of the Bullshitter-in-Chief when, in fact, it means the exact opposite: We're going backwards. The slogans say it themselves.

Latest bullshit 'Plan for Victory' [White House photo by Paul Morse]If more naval trappings for the latest empty nonsense by a talking-points prez on rewind, left, weren't enough to make you throw up, how does this vomit-making news strike you?

Meantime, a New York Times editorial notes that the so-called plan for victory is basically a rehash of "the same tired argument that everything's going just fine." Even USA Today, the vox populi of the American press, went negative on the speech and the plan, describing the Bullshitter as a congenital "cheerleader" who "missed his moment." Too deferential by half, it was nevertheless a welcome contrast to the Washington Post's mealy-mouth editorial. The Los Angeles Times also failed to applaud, unlike the true-blue academy's rah-rah chorus. Needless to say, The Wall Street Journal laid on a rave.

Caught in the Bullshitter's nightmare
To illustrate how we feel about all of this, have a look at the juxtaposed photo collages, right. It's old and inexact, we admit. It's also missing the Bullshitter's stalwart-in-crime, Cheney Boy, as one of the triumvirate. But what it says about the nation's collective nightmare is as apt now as it was in the Bullshitter's first term -- probably more so.

-- Tireless Staff of Thousands

Postscript: And this is how that vomit-making news strikes our nauseated poet:

D. C. DATELINE

A democratic populace
Must always be informed
To keep its vital institutions
From being sacked and stormed.

A democratic society
Knows every pro and con
On issues touching nationhood
(As piped by the Pentagon).

-- Leon Freilich

December 1, 2005 9:33 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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