'GANDA MACHINE GEARS UP

We have led a country to civil war in order to permanently weaken it. We have largely destroyed its cultural patrimony to erase its identity and autonomy. We have set up a potential genocide against our opponents. And now we step aside and claim we can't control what will happen. Pinter was so dead-on when he said in his Nobel speech, "You have to hand it to America. It has exercised a quite clinical manipulation of power worldwide while masquerading as a force for universal good."

The Bullshitter-in-Chief lays it on.
Right on cue the U.S. propaganda machine gears up for stage two. They have planted the gangrene in Iraq (Pinter again) and now are stepping aside with the claim that they can't control what happens. See this morning's news analysis, "A Path Forward, With Many Ifs," about the Bullshitter-in-Chief's strategy for "complete victory":

[I]n four recent speeches and an accompanying strategy document he has made his case, some of his aides concede, just as his ability to control events in Iraq may be about to erode.

American officials fully expect that for months after the Iraqi election on Thursday the American ambassador in Iraq, Zalmay Khalilzad, will remain the critical behind-the-scenes power in the creation of a factious coalition to run the country.

Leaving that paradox unexplained (eroding control while pulling the strings) the "analysis" moves right along:

[I]t is the longer term -- the next year -- that worries many of Mr. Bush's advisers and the United States military. Amid insurgent attacks and warnings of civil war, the government may take months to form, and many officials wonder whether that lag will distract the Iraqis from leaping the hurdles that Mr. Bush wants them to clear before he will begin withdrawing American forces next year.

Besides,

One senior White House official, insisting on anonymity because he is not authorized to talk about Iraq, said last week that in meetings "we've talked about the possibility that the new Iraqi government will see no advantage in putting its security forces out on the street quickly" if they think the result will be the departure of American firepower.

Although, of course:

Some officials have the opposite fear, that a new Iraqi government will ask the Americans to leave too quickly.

All agree, however, that over the next year the American ability to shape the Iraqi battleground will gradually decline.

Smooth stuff. Sometimes the gears of the 'ganda machine can sound like a cat's purr.

-- Tireless Staff of Thousands

The book tells the inside story of how reporters uncovered the Iran-contra scandal and paid dearly with their careers.Postscript: By the way, we're not the only ones writing about the coming Sunni genocide. Have a look at Robert Parry's piece, "Bush in Iraq, Slouching toward Genocide," posted at Consortium News, his essential Web site. We hadn't seen the piece until this morning, but now that we have, we gotta say he was not just ahead of us, he laid out the argument better than us:

Despite pretty words about democracy and freedom, George W. Bush's "victory" plan in Iraq is starting to look increasingly like an invitation to genocide, the systematic destruction of the Sunni minority for resisting its US-induced transformation from the nation's ruling elite into second-class citizenship.

Parry noted, as we did, certain parallels between the infiltration of Iraqi government security forces by "death squads" operating against the Sunnis and the ones that operated in Central America in the 1980s under right-wing regimes in Guatemala and El Salvador. And he speaks with the authority of an investigative journalist who broke many Iran-Contra stories for The Associated Press and Newsweek:

The way Parry sees it,

The next element in the equation will be how far the war against the Sunnis goes -- or put differently, how stubbornly the Sunnis resist. For his part, Bush reiterated that he will only be satisfied with "complete victory," which suggests he is resolved to break the back of the Sunni resistance at whatever cost.

All we can say is, "Ditto."

December 15, 2005 10:50 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
HERMAN WOUK'S LATEST 
It's hard to say which comes off worse in Herman Wouk's latest novel, his first in a decade: the U.S. Congress or the American press. "A Hole in Texas" offers the choice between two emblematic stereotypes: a red-faced opportunist who heads the House Armed Services Committee and a mustachioed investigative reporter for the Washington Post.
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This page contains a single entry by Straight Up | published on December 15, 2005 10:50 AM.

OUTRAGE: THE 11 O'CLOCK NUMBER was the previous entry in this blog.

VICTORY-IN-IRAQ DAY is the next entry in this blog.

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