LESS FLAG-WAGGING, PLEASE

On the evidence of Ethan Bronner's condescending putdown of "The Great War for Civilisation," we couldn't help wondering: Is this what The New York Times really thinks, or is the paper's deputy foreign editor just being a jealous American flag-wagger?

THE GREAT WAR FOR CIVILISATION: The Conquest of the Middle East, by Robert Fisk Contrary to Bronner's review, we find Brit journalist Robert Fisk's massive book enlightening, beautifully written, filled with the skeptical wisdom of bitter experience. It's both an absorbing read and a thrilling ride. As mentioned before, Fisk's skill at connecting past and present is unbeatable.

Besides, we love his unimportant details. For instance, trying to fly to Jalalabad, where he was to be met and escorted to the mountains of Tora Bora for one of his secret interviews with Osama bin Laden back in the pre-history of 1980, Fisk describes the circuitous route that began in Beirut:

This time, the journey was a combination of farce and incredulity. There were no more flights from Dehli so I flew first to the emirate of Dubai. "Fly to Jalalabad?" my Indian travel agent there asked me."You have to contact 'Magic Carpet.' He was right. "Magic Carpet Travel" -- in a movie, the name would never have got past the screenplay writers* -- was run by a Lebanese who told me to turn up at 8:30 the next morning at the heat-bleached airport in the neighbouring and much poorer emirate of Sharjah, to which Ariana Afghan Airlines had now been sent in disgrace.

And the footnote's finishing touch:

*The more dangerous the destination, the more fictional the name of the airline that flies there. The only direct flight from Beirut to the cauldron of occupied Iraq was run by another company called -- yes, you guessed it -- "Flying Carpet Airlines."

Then there's the important stuff, which comes to more than a thousand pages of finishing touches.

-- Tireless Staff of Thousands

November 21, 2005 7:55 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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