GUMSHOE

Looking through some old correspondence from many years ago, I came across a letter to the poet Clark Coolidge telling him that I was "flirting with the possibility of writing some kind of gumshoe manuscript." I had no memory of it, and doubt that he does either. But the letter excerpted this sample:

Lago Maggiore, bird's-eye view

I gunned the old VW to Italy. Lago Maggiore because I wanted to find out where the German nouveaux riches spent their vacations. And boy did I find out.

I was also searching for a guy. When I found him he looked at me with the unclean gaze of a male hustler.

"Listen," I said, "I wasn't raised on country cornflakes. I was bread & buttered in NYC, milk-toasted in San Francisco, and swallowed whole in Paris. Are you the buyer?"

"For nothing, you guessed it."

"Uh huh. You sound like you were digested in Rome and spit out in the Athens suburbs."

People don't hit it off sometimes. He was big but not that big, and he sat there in all the sartorial splendor of a plastic clothespin. Wore his floriated shirt buttoned or rather unbuttoned to the navel (sexy, too) and he had on a forget-me-not pinky ring, the kind to brand a nose with. He also had a nervous tick in his eye which was, I suppose, the sweetener -- the point of give in an otherwise lousy complexion.

Lago Maggiore, view from the VW

I knew where my brass was. Before I checked in I'd stashed it in its custom leather holder under my right arm. I'm a lefty. It must've weighed nearly two pounds.

Then the telephone rang. He picked it up. "Hello, pussycat how are you . . ." It went on like that for long enough to have a cigarette, so I did. When he got off I said: "Goodbye. Sorry to make your acquaintance."

It was strictly from the lowest form of show business but you can't live forever in a VW as I found out, clammed up in mine those three months. A case of sciatica was not what the doctor ordered.

The letter, May 6, 1974 Right then I decided to give Higgins a phone call. Maybe no rhumbas with him either. I remember that Indian ashram was good for his spinal column but he sure as hell hadn't come back swinging.

The beep from his livingroom tape recorder came on. "You don't smell natural any more," I said and hung up. And that left me with a bottle of Belgian beer in my hand, checking the times at the Mannheim rail terminal. I already gave off more carbon monoxide than I could breathe. ...

Never did finish it.

October 13, 2005 1:02 AM |

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Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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