DIDION'S MAGICAL SALES

In his review of Joan Didion's memoir, "The Year of Magical Thinking," John Leonard writes: "I can't imagine dying without this book." Apparently tens of thousands of readers can't imagine living without it. The book is "flying off the shelves," The New York Times reports, and "some stores already have reported shortages" -- with no small help from The Times.

Joan Didion flogging her book this week in New York [AP Photo/John Smock]Is "Magical Thinking" what's called "a fun read"? Sure. Leonard offers the details:

[W]e watch her listen -- to the obscene susurrus of electrodes, syringes, catheter lines, breathing tubes, ultrasound, white cell counts, anticoagulants, ventricular fibbing, tracheostomies, Thallium scans, fixed pupils, and brain death, not to neglect such euphemisms as "leave the table," which means to survive surgery, and "subacute rehab facility," which means a nursing home. But she also consults texts by Shakespeare, Philippe Ariès, William Styron, Gerard Manley Hopkins, Sigmund Freud, W.H. Auden, E.E. Cummings, Melanie Klein, Walter Savage Landor, C.S. Lewis, Matthew Arnold, D.H. Lawrence, Delmore Schwartz, Dylan Thomas, Emily Post, and Euripides. And, simultaneously, she is watching and listening to herself.

As Leonard further explains, Didion has never let herself, or her readers, off easy:

She's an Episcopalian, not a von Trapp -- a declared agnostic about history, narrative, and reasons why, a devout disbeliever in social action, moral imperatives, abstract thought, American exemptions, and the primacy of personal conscience. Inside this agnosticism, in both novels and essays, there is a neurasthenic beating herself up about bad sexual conduct, nameless derelictions, and well-deserved punishments -- a human being who drinks bourbon to cure herself of "bad attitudes, unpleasant tempers, wrongthink"; who endures "the usual intimations of erratic cell multiplication, dust and dry wind, sexual dysaesthesia, sloth, flatulence, root canal"; who has discovered "that not all of the promises would be kept, that some things are in fact irrevocable and that it had counted after all, every evasion and every procrastination, every mistake, every word, all of it"; who has misplaced "whatever slight faith she ever had in the social contract, in the meliorative principle, in the whole grand pattern of human endeavor"; who still believes that "the heart of darkness lay not in some error of social organization but in man's own blood"; who got married instead of seeing a psychiatrist; who puts her head in a paper bag to keep from crying; who has not been the witness she wanted to be; whose nights are troubled by peacocks screaming in the olive trees -- an Alcestis back from the tunnel and half in love with death. You know me, or think you do.

Will the book be on Laura Bush's reading list? Sure. She'll be giving it away for Christmas, too.

October 12, 2005 11:08 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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This page contains a single entry by Straight Up | published on October 12, 2005 11:08 AM.

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