ANTIDOTE TO FRIST, MIERS AND REED

It's hard to keep up with all the corruption. The Senate majority leader's, for instance:

Bill Frist (R-Tenn.) was given considerable information about his stake in his family's hospital company, according to records that are at odds with his past statements that he did not know what was in his stock holdings.

Not to mention small-time conniving like this :

Supreme Court nominee Harriet Miers collected more than 10 times the market value for a small slice of family-owned land in a large Superfund pollution cleanup site in Dallas where the state wanted to build a highway off-ramp.

Let alone the big-time corruption:

When [indicted lobbyist Jack Abramoff] had to make sure his clients' concerns got the attention of the right people in the George W. Bush White House, Abramoff often turned to a longtime friend and business associate whose ties there -- especially with the President's most trusted adviser, Karl Rove -- were far better than his: former Christian Coalition executive director Ralph Reed ... a key Bush campaign strategist ... [who] was an obliging, even eager middleman, judging by e-mail exchanges between the two ...

So maybe it's time to go to an opera. Mozart's exquisite ode to infidelity, for instance. "Opera remains an irrational art, predicated, sometimes, on happy surprises and contradictions," critic Martin Bernheimer writes in today's Financial Times. Which sounds to us like a reprieve from the irrational art of politics.

-- Tireless Staff of Thousands

October 25, 2005 7:48 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
HERMAN WOUK'S LATEST 
It's hard to say which comes off worse in Herman Wouk's latest novel, his first in a decade: the U.S. Congress or the American press. "A Hole in Texas" offers the choice between two emblematic stereotypes: a red-faced opportunist who heads the House Armed Services Committee and a mustachioed investigative reporter for the Washington Post.
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About this Entry

This page contains a single entry by Straight Up | published on October 25, 2005 7:48 AM.

CROSSING MISS PIGGY WITH HOLLY GOLIGHTLY was the previous entry in this blog.

DUMPING ON MISS RUN AMUCK is the next entry in this blog.

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