WAR CRIMINAL

"Fallujah is the Guernica of our time," former U.S. Attorney General Ramsey Clark has said over and over. He said it again at the antiwar protest in Washington, where he once more termed the current occupant of the White House a war criminal who deserves to be impeached.

Ramsey Clark The Nuremberg judgment calls the war of aggression the supreme international crime. It's the first crime against peace. There can be no war crime until there's war. It leads to all of the crimes against humanity. It is a supreme international crime. And George Bush's “Shock and Awe,” a synonym for terrorism -- isn't it? “Shock and Awe” -- was a war of aggression.

"The whole assault," Clark went on to say, "was built on deliberate lies, not misinformation, not poor intelligence. They knew damn well what they were doing. They wanted to do it, and they did it. And every moment of this invasion, which takes the lives of Iraqi people every day, is an illegal occupation."

It's not just the Iraqis being killed, as we know too well. But it's mostly them, and so long as the slaughter continues -- by the Sunni insurgents, the Al Qaeda suicide bombers, all the other Islamofascist brigades, and not least the largely U.S. and British occupying troops -- all our Bullshitter-in-Chief's pious declarations about making us a safer nation and the world a freer place are blind posturing to hide his guilt.

--Tireless Staff of Thousands

September 26, 2005 3:39 PM |

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Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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This page contains a single entry by Straight Up | published on September 26, 2005 3:39 PM.

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