TODDLIN' TOWN

We're back from Chicago, the most underrated city in the country. One of the things we noticed on a cool, sunny day: Michigan Avenue, brimming with tourists and shoppers from the Old Water Tower south to the Tribune Tower, made New York's Fifth Avenue look like a cheap alleyway.

Metal poster depicting building designed by Dutch architect Jan Wils in 1930.jpg We also visited the Charles Deering McCormick Library of Special Collections at Northwestern University Library (just north of the city in Evanston). The library is famous for its archive of radical literature and materials (including the best documentation of the Siege and Commune of Paris, 1870-1871). It also has probably the world's most complete collection of books and materials on the 20th-century art movements of Art Nouveau, Dadaism, Expressionism, Futurism, Surrealism, Constructivism and Fluxus.

Cellist Charlotte Moorman, with Nam June Paik, 1965 (Photo: Hanns Sohm) The day we visited Russell Maylone, the curator of special collections, his office was a jungle of newly acquired documents and materials from the Fluxus artist Charlotte Moorman, who died in 1991. Moorman was notable for, among other things, her topless avant-garde cello performances in collaborations with video artist Nam June Paik. She also created works with Joseph Beuys, John Cage, and Yoko Ono. Composer Edgar Varese called her "the Jeanne d'Arc of new music."

Dick Higgins.jpg Meantime, the library is deep into cataloguing the huge archive of Dick Higgins, another major Fluxus artist, prolific writer, and founder of Something Else Press. (Full disclosure: Higgins was a friend of the Tireless Staff of Thousands's boss, who was the last editor of the press, following Emmett Williams; and the library houses the TSoT boss's own collection of letters, manuscripts, artworks and other documents largely from the late-'60s.)

Not incidentally, the library also holds the personal papers of John Cage, including the Notations collection, an archive of arts performance music manuscripts that Cage compiled. And, oh yeah, anyone interested in feminism, take note: The library has a major archive, the Women's Collection, focusing on the women's liberation movement from the late 1960s to the present. It comprises 4,000 periodical titles, thousands of ephemera files, and several thousand monographs.

-- Tireless Staff of Thousands

Postscript: Speaking of Chicago, this week the U.S. House of Representatives is scheduled to consider H.R. 3667, which designates a facility of the United States Postal Service (at 200 South Barrington St.) in Los Angeles as the "Karl Malden Station." It's about time! Malden was a Chicago native, after all, and one of Hollywood's great actors.

September 21, 2005 11:32 AM |

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Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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This page contains a single entry by Straight Up | published on September 21, 2005 11:32 AM.

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