WHAT THEY HAVE IN COMMON

Lies, evasions, memory lapses, and prevarications are characteristics shared by the top U.S. Army brass and our Dear Leader's choices for the government's highest civilian posts. The evidence is overwhelming, and it's no coincidence -- not when it comes to the war in Iraq, torture, the regime's foreign policy, and the nation's highest court.

From the lead editorial in majGENgeoffreyMILLER.jpgthis morning's Washington Post:

In statements to investigators and in sworn testimony to Congress last year, Gen. Miller [left, former commander of the Guantanamo Bay prison, who was later dispatched by the Pentagon to Abu Ghraib] denied that he recommended the use of dogs for interrogation, or that they had been used at Guantanamo. ... The [latest] court evidence strongly suggests that Gen. Miller lied about his actions, and it merits further investigation by prosecutors and Congress.

bolton.png The State Department admitted yesterday that U.N. nominee John Bolton "failed to tell the Senate during his confirmation hearings that he had been interviewed by the State Department's inspector general looking into how American intelligence agencies came to rely on fabricated reports that Iraq had tried to buy uranium from Africa." He didn't prevaricate, or anything like that. Bolton just "did not recall being interviewed," a department spokesman said.

johnROBERTS.jpg Similarly, when it became evident that Supreme Court nominee John Roberts, left, was listed on the steering committee of the Federalist Society in Washington, regime officials "continued to insist that Roberts has no recollection of ever being a full-fledged member of the conservative legal group."

Was he lying? Stonewalling? Or just doing what comes naturally to a right-wing generation of triumphalist American leaders willing to put personal and political ambition -- so-called patriotism -- before honesty?

July 29, 2005 10:13 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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This page contains a single entry by Straight Up | published on July 29, 2005 10:13 AM.

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