QUESTIONS FROM THE RIGHT

A reader writes, in re: Myth vs. Fact: Is Africa the Lost Continent? "What about all the aid that gets appropriated by corrupt governments in Africa instead of used for its original intent?"

Boy, I'm so glad you asked. One of the points Jeffrey Sachs made, which I did not recount, is that the mismanagement of funds through corruption and poor governance is N0T TRUE -- repeat NOT TRUE -- for many of Africa's poorest nations. It's a convenient myth for those who'd rather not invest in African development, he says.

Sach doesn't deny that countries like the Democratic Republic of the Congo are horrors of corruption. But those places are not candidates for development aid. A prerequisite for investment is the guarantee that results are measurable in a monitored program that can be independently audited. The U.S. government gives considerable emergency aid to countries in Africa, but very little to development aid. And most people confuse the two. They're different issues.

The reader also asks:

If you want to discuss humanitarian aid vs. defense spending, how much do those enlightened leaders of Europe, who spend far less on defense, give to Africa? I am talking about the same Euro-leaders who really want to help out in Africa and elsewhere, but haven't bought enough air- or sealift to get to Africa.

Boy, I'm glad he asked that question, too. The Europeans have agreed to give a miniscule percentage of their Gross National Products recommended by the U.N. Millenium Project, and so has the United States.

The project recommends that "high-income countries should increase official development assistance from 0.25 percent of donor GNP in 2003 to around 0.44 percent in 2006 and 0.54 percent in 2015" to support the Millennium Development Goals, particularly for qualified low-income countries, and that "each donor should reach 0.7 percent no later than 2015" when other "development assistance priorities" are included.

Because each of the European GDPs are so much smaller than that of the U.S., their contributions naturally will be smaller. Meantime, the Europeans have been meeting their obligations, Sachs says, and so far the U.S. has not.

Further, their interest payments per capita on the forgiven African debt will be much greater than those of the U.S. Over the next decade, the interest will cost the U.S. $120 million a year, Britain $75 million, Germany, France, Japan and Italy roughly $75 million each, and Canada $45 million. That means Britain, France and Italy (with populations of 51 million, 60 million and 58 million, respectively) will be paying more than $1 per capita, as will Canada (pop. 33 million). Germany (pop. 82 million) will be paying slightly less than $1 per head, and Japan (pop. 127 million) more than 50 cents. The U.S. (pop. 296 million) will be paying less than 50 cents, as I wrote too generously. It actually comes to about 36 cents per capita.

This same reader complains:

You are so biased in your writing, why not make a name for yourself by breaking away from most of the pack of opinion writers and actually compile some facts from both sides of the argument and possibly educate and inform the few of us who might bother clicking on your articles [rather] than offering up the same old half-baked nonsense?

What can I say except ... how about reading the U.N. Millenium Declaration and finding out exactly what the current U.S. regime is so reluctant to support, after which your apology will be accepted.

June 18, 2005 1:18 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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This page contains a single entry by CriticalMASS published on June 18, 2005 1:18 AM.

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