NPR-UNION EPIC FEUD; D'ARCY ON THE GUGGIE

A labor arbitration hearing has been finalized for July 7 to settle the case brought against National Public Radio by the union representing a staff editor who was disciplined for his supervision of a David D'Arcy report about the Museum of Modern Art's involvement with a painting looted by the Nazis. That's a mouthful, but necessary.

The case has all the earmarks of an epic feud. (See Whose Klose Call Got NPR Reporter Fired? and Union Pursues NPR Case.) Relations between NPR and the union (the American Federation of Television and Radio Artists) are so contentious that talks are being organized by a mediation council in advance of the hearing to conciliate both parties. Conciliation seems unlikely, however, given the bitterness between them. One measure of the animosity, I'm told, is that NPR plans to bring five witnesses to the hearing to testify against D'Arcy.

Meantime, the Wall Street Journal is happy to publish D'Arcy's work. See today's edition, which carries his hard-hitting piece about the Guggenheim Museum. D'Arcy's interview with former Guggenheim board chairman Peter Lewis is the first expansive one Lewis has given since he resigned from the board last January in a dispute with museum director Thomas Krens, and it unloads all of Lewis's doubts about the Guggenheim's international expansionist policy, its management, and its ability to raise funds.

The Journal's endorsement of D'Arcy's arts reporting just before the symposium and arbitration hearing take place can't be good news for NPR, which is trying to make the case that it dumped him for allegedly violating ethical standards in his report on MoMA and not because MoMA brought pressure on NPR's top executives to get rid of him.

Postscript: The Journal article may be seen as a retort to the positive spin of an interview with Krens that ran last Sunday in The Observer in London, although D'Arcy wrote his piece before the Observer interview was published. Darcy also interviewed Krens for the Journal piece.

PPS: Reached Friday by telephone, AFTRA exec Ken Greene said there were no talks for conciliation, noting they were a separate issue. When pressed, he declined to elaborate. "I don't want to talk about it," he said, and added, "The case is going ahead full throttle."

June 23, 2005 1:29 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
HERMAN WOUK'S LATEST 
It's hard to say which comes off worse in Herman Wouk's latest novel, his first in a decade: the U.S. Congress or the American press. "A Hole in Texas" offers the choice between two emblematic stereotypes: a red-faced opportunist who heads the House Armed Services Committee and a mustachioed investigative reporter for the Washington Post.
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