FRANK, RICH, AND DANDY, HE KEEPS ON TRUCKIN'

The latest Frank Rich column is a dandy recap of what's been happening in The Land of Oz. "The attacks [on the press] continue to be so successful that even now, long after many news organizations, including The Times, have been found guilty of failing to puncture the administration's prewar W.M.D. hype, new details on that same story are still being ignored or left uninvestigated," he wrote Sunday, citing the July 23, 2002, "Downing Street memo" as an example.

Well, Frank, you can't say Greg Palast didn't tell us -- see The Gun That Smokes, of May 5, 2005. In re: "the kind of lapdog news media the Nixon White House cherished," which you single out for a parallel to the contemporary version, see GAO Finding: Gannon Did Not Break Law, of June 10. In re: Charles W. Colson, who you rightly point out "embarked on a ruthless program of intimidation that included threatening antitrust action against the networks if they didn't run pro-Nixon stories" and so on, see I Find It Strange (as did many others), of June 1.

You certainly summarized, as well as anybody has, the peculiarity of Colson's moral complaint about Mark Felt (a k a Deep Throat):

Such is the equivalently supine state of much of the news media today that Mr. Colson was repeatedly trotted out, without irony, to pass moral judgment on Mr. Felt -- and not just on Fox News, the cable channel that is actually run by the former Nixon media maven, Roger Ailes. "I want kids to look up to heroes," Mr. Colson said, oh so sorrowfully, on NBC's "Today" show, condemning Mr. Felt for dishonoring "the confidence of the president of the United States." Never mind that Mr. Colson dishonored the law, proposed bombing the Brookings Institution and went to prison for his role in the break-in to steal the psychiatric records of The Times's Deep Throat on Vietnam, Daniel Ellsberg. The "Today" host, Matt Lauer, didn't mention any of this -- or even that his guest had done jail time. None of the other TV anchors who interviewed Mr. Colson -- and he was ubiquitous -- ever specified his criminal actions in the Nixon years. Some identified him onscreen only as a "former White House counsel."

I especially love what you concluded from that:

Had anyone been so rude (or professional) as to recount Mr. Colson's sordid past, or to raise the question of whether he was a hero or a traitor, the genealogical line between his Watergate-era machinations and those of his present-day successors would have been all too painfully clear. The main difference is that in the Nixon White House, the president's men plotted behind closed doors. The current administration is now so brazen it does its dirty work in plain sight.

In re:

Only once during the Deep Throat rollout did I see a palpable, if perhaps unconscious, effort to link the White House of 1972 with that of 2005. It occurred at the start, when ABC News, with the first comprehensive report on Vanity Fair's scoop, interrupted President Bush's post-Memorial Day Rose Garden news conference to break the story. Suddenly the image of the current president blathering on about how hunky-dory everything is in Iraq was usurped by repeated showings of the scene in which the newly resigned Nixon walked across the adjacent White House lawn to the helicopter that would carry him into exile.

See The Free Press in Full Squeak, of May 29; Imperial Mourning, of Memorial Day, May 30; and What Is Really Happening in Iraq?, of May 31.

And bless you, Frank, for this:

The journalists who do note the resonances of now with then rarely get to connect those dots on the news media's center stage of television. You are more likely to hear instead of how Watergate inspired too much "gotcha" journalism. That's a rather absurd premise given that no "gotcha" journalist got the goods on the biggest story of our time: the false intimations of incipient mushroom clouds peddled by American officials to sell a war that now threatens to match the unpopularity and marathon length of Vietnam.

Frank, you have to start watching Democracy Now! We all do. It's not the only TV news show that connects the dots, but it does a damned serious job of it, and it's out there five days a week on more than 330 TV and radio stations, as well as the Web. Put it on your to-do list, if you haven't already. Today's broadcast has an interview with former FBI agent Mike German, a whistleblower who quit to protest the FBI's lousy management of its counter-terrorism program. German talks about the threat of terrorism, not necessarily from foreign terrorists, but from domestic "lone wolves" spawned by white supremacist groups.

By the way, Frank, my staff of thousands envies your full-time research assistant and your Lexis-Nexis subscription. So do I, not to mention the nifty writing.

June 13, 2005 9:38 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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