THE FREE PRESS IN FULL SQUEAK

Chicago, America's most underrated metropolis, is the capital of flyover country. So unless you grab one or both of its major dailies while changing planes at O'Hare (or you're a news junkie Web surfer), you're missing out on some entertaining columns. Here's one by Debra Pickett, of the Chicago Sun-Times, headlined "Freedom's just another word for dodging tough questions."

On Friday, wrapping up the news from Washington, Pickett compared it to "a bad Broadway show, the kind that promises to make you laugh and cry and be better than 'Cats.'"

The comedy came first. On Monday, President Bush stood beside Afghan President Hamid Karzai for a "Joint Press Availability." Asked if the Iraqi insurgency was getting more difficult to defeat militarily, Bush answered with a classic Dubya-ism. "No, I don't think so," he said, "I think they're being defeated. And that's why they continue to fight."

It's the sort of answer that makes you pause and scratch your head for just long enough to give him a chance to change the subject. ... But Bush's Orwellian logic -- good for only a cynical chuckle -- was definitely not the comic high point of the afternoon. Instead, for sheer free press-thwarting brilliance, Karzai easily won the day.

After the two men made some opening remarks, talking about the glories of bringing democracy to Afghanistan, Bush announced, "And in the spirit of the free press, we'll answer a couple of questions.

All two of them?

The first question dealt with the military's treatment of Afghan prisoners of war. It was full of facts and details and built-in follow-ups, so you could tell the reporter asking it would probably never get called on again. And, after this rocky start, Bush decided to let the American reporters cool their heels for a while. "Somebody from the Afghan press?" he asked next.

There was an awkward silence, which Karzai gamely tried to fill in by asking, "Anybody from the Afghan press? Do we have an Afghan press?" Then he spotted the single reporter his government had permitted to travel outside Afghanistan. "Oh, here he is," Karzai said, as the room filled with the not-quite-warm laughter of people who suspect they might actually be the butt of a joke but aren't sure.

Which of course they were, if only because "nine other Afghan reporters who were to have followed Karzai on his U.S. visit" couldn't come because "at the last minute, the Karzai government decided to withhold their travel permits for fear the journalists might try to escape their troubled homeland."

Bush seemed genuinely surprised that the Afghan reporters weren't there -- American journalists had been asked to fill in their empty seats -- so it seems that Karzai forgot to mention to his good friend that the whole free press thing has a slightly different meaning in the burgeoning democracy that is Afghanistan.

Since I favor comedy over tragedy when it comes to appreciating Dear Leader's maneuvers, you'll have to click to the rest of Pickett's column for the crying side of the news (if you haven't already), or as Picket writes, "wringing tears from those who would dare dissent."

May 29, 2005 10:45 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
HERMAN WOUK'S LATEST 
It's hard to say which comes off worse in Herman Wouk's latest novel, his first in a decade: the U.S. Congress or the American press. "A Hole in Texas" offers the choice between two emblematic stereotypes: a red-faced opportunist who heads the House Armed Services Committee and a mustachioed investigative reporter for the Washington Post.
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