IMPERIAL MOURNING

"Preventive Warriors," a documentary about the National Security Strategy of the United States issued by the White House in September of 2002, is the perfect antidote to Dear Leader's Memorial Day ravings (a pious official proclamation for "a day of prayer for permanent peace" and an imperial radio address to the nation that the U.S. will continue to "wage the war on terror and spread freedom across the world").

Watch "Preventive Warriors" online. This 2004 documentary, featured today on "Democracy Now!," presents expert commentary by Chalmers Johnson, Noam Chomsky, Rahul Mahajan, Phyllis Bennis, Mark Lance, Maria Ryan, Michael Klare, Tariq Ali and others on the neocon doctrine of preventive war and the current U.S. regime's ambition to dominate the world, militarily, economically and culturally.

The doctrine is rational "within a lunatic framework," Chomsky points out, which is "not so unusual." What is unusual, says Chalmers, is the in-your-face aspect of the strategy for "military dominance" originally laid out by Paul Wolfowitz in 1992. Chalmers also says he does not believe neocons are conservatives at all, new or old, but rather "serious radicals committed to the militarization of the country."

Or as Klare notes, there is a "crusading spirit" reflected in all the documents, an implicit belief in American exceptionalism because "we're chosen," and it is "this mode of thinking [that] is deeply embedded in the Bush administration." All of these document, Klare asserts, "are driven by arrogance."

Dear Leader, above, placed a wreath at the Tomb of the Unknowns in Arlington National Cemetery for all Americans to see. But his mismanagement of the war in Iraq -- including poorly armored Humvees, insufficient troop levels and no "peace" planning -- means the deaths of more soldiers whose coffins his regime allows no Americans to see as they are being brought home for burial.

May 30, 2005 11:50 AM |

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Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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