AHEAD OF THE CURVE

Does Greg Palast have influence, or was he simply ahead of the curve as usual? Another possibility: Someone took note of this May 6 item, in which my staff of thousands pointed out that Palast was "pissed off that the American press, unlike the British press, has made so little" of the Downing Street memo leaked to The Times of London and "splashed across [its] front pages" on May 1.

The memo revealed, as Palast wrote, "an elaborate plan by George Bush and British Prime Minister Tony Blair to hoodwink the planet into supporting an attack on Iraq knowing full well the evidence for war was a phony."

Anyway, have a look at Editor & Publisher's May 14 article, which says: "For more than 10 days, the U.S. media nearly ignored it, but finally the so-called 'Downing Street Memo' is finally gaining traction in the U.S. press. The Los Angeles Times featured a lengthy report on Thursday, and Walter Pincus of The Washington Post followed on Friday."

Yesterday WashPost ombudsman Michael Geller wrote, "I have to say I'm amazed that The Post took almost two weeks to follow up on the Times report." This morning Paul Krugman takes note. He writes:

There has been notably little U.S. coverage of the 'Downing Street memo' -- actually the minutes of a British prime minister's meeting on July 23, 2002, during which officials reported on talks with the Bush administration about Iraq. But the memo, which was leaked to The Times of London during the British election campaign, confirms what apologists for the war have always denied: the Bush administration cooked up a case for a war it wanted.

Krugman goes on to give the details, including the URL where the entire memo may be read, a wise and Webby thing to do. But he also weaves in the broader implications, as he usually does, about the war that has taken America hostage and "how the tough guys made America weak."

It's not his strongest columm -- not nearly as strong as the one he wrote on April 29, "A Private Obsession," about health care reform being blocked by conservative ideologues who believe in privatization when it is the private system as we know it that is to blame for lousy health care in the first place. But it will have to do for today's fix of Krugman.

May 16, 2005 10:50 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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This page contains a single entry by CriticalMASS published on May 16, 2005 10:50 AM.

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