MALCOLM GLADWELL BLINKS AT ABBIE CONANT

If Malcolm Gladwell had written about you in his latest best seller, "Blink: The Power of Thinking Without Thinking," you'd probably know it in a New York minute. If you were Abbie Conant, who is the subject of the book's final chapter, you wouldn't.

When pressed, Conant recalls speaking with Gladwell (right) by phone. But she lives in Germany and had only a vague idea of who he was. She didn't subscribe to The New Yorker, where he's a staff writer, and hadn't read "The Tipping Point: How Little Things Can Make a Big Difference," his previous best seller.

It took an old friend she knew from Colorado, now a research librarian at Fortune magazine in New York, to break the news to her long after "Blink" had soared to No. 1 on the New York Times Hardcover Nonfiction list. (It's been on the list for 11 weeks, No. 1 for most of them.)

"I hadn't read anything more than a few blurbs about the book," says Susan Kaufman, recalling Gladwell's appearance a while ago at a meeting of the Special Libraries Association. "He was a big draw. The place was packed. It was not the usual." Gladwell told the librarians he wasn't going to read from his book. "He said, "I think it's better if I tell you a story,'" Kaufman remembers. "And then he proceeded to say there was this musician in Germany, and he said her name. It was such an odd thing. Abbie hadn't ever mentioned that he had spoken to her for the book. He went on and on."

Kaufman (a violist) and Conant (a trombonist) met in the late '70s when they'd played together in the Colorado Philharmonic, a training orchestra. Though they went their separate ways afterward -- Kaufman, who had graduated from Barnard, entered Columbia's library school and took up a research career; Conant graduated from the University of New Mexico and Juilliard into an orchestra career in Turin and Munich and is now a trombone professor -- they'd always kept in touch.

After Gladwell's lecture, Kaufman says, "I ran up to the front and told him it just so happens I'm a good friend of Abbie. He kind of looked up. 'Say hello to her,' he said. ... And he signed a book for her, 'To my inspiration.' The funny thing, if I had mentioned this to any of my colleagues there, nobody would have believed it."

Here's the first chapter of "Blink." As for the final chapter, Gladwell credits Conant's husband, composer and musicologist William Osborne, with the most complete version of her amazing story. He recounts and analyzes the discrimination she faced after she won a blind audition, besting 32 male candidates, for principle trombonist in the Munich Philharmonic.

"When she stepped from behind the audition screen, the orchestra was shocked," Osborne explains. "It is a case study perfectly suited to the thesis of Gladwell's book." Now have a listen to Conant performing "Leonore" (above, left), a music theater piece he and Conant wrote in reaction to her experiences in the Munich Philharmonic.

April 3, 2005 12:21 PM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
HERMAN WOUK'S LATEST 
It's hard to say which comes off worse in Herman Wouk's latest novel, his first in a decade: the U.S. Congress or the American press. "A Hole in Texas" offers the choice between two emblematic stereotypes: a red-faced opportunist who heads the House Armed Services Committee and a mustachioed investigative reporter for the Washington Post.
more picks

Sites to See

About this Entry

This page contains a single entry by published on April 3, 2005 12:21 PM.

CREELEY REMEMBERED was the previous entry in this blog.

GAWKING ALL THE WAY is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

AJ Blogs

AJBlogCentral | rss

culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
CultureGulf
Rebuilding Gulf Culture after Katrina
diacritical
Douglas McLennan's blog
Flyover
Art from the American Outback
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

music
The Future of Classical Music?
Greg Sandow performs a book-in-progress
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
On the Record
Exploring Orchestras w/ Henry Fogel
PostClassic
Kyle Gann on music after the fact
Rifftides
Doug Ramsey on Jazz and other matters...
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

theatre
Stage Write
Elizabeth Zimmer on time-based art forms

visual
Aesthetic Grounds
Public Art, Public Space
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Creative Commons License
This weblog is licensed under a Creative Commons License.