A) MARK GREEN, B) DEAR LEADER, AND C) MSM

Like a lot of Democrats, I get messages from Mark Green, the former public advocate for New York City and the president of the New Democracy Project. As much as I agree with his low opinion of our Dear Leader, I can't help noticing: Green's latest message delivered the same old, same old, and did double duty as a promo for his and Eric Alterman's "The Book on Bush: How George W. (Mis)leads America."

May I quote? Dear Leader "a) remains incorrigibly prone to deception and b) major media essentially look the other way." Where have we heard that before? Green, left, does elaborate nicely here:

We have an administration feeling so brazen and immune that it derisively dismisses reporter Ron Suskind as "reality-based," with an aide explaining, "We're an empire now, and when we act, we create our own reality. And while you're studying that reality -- judiciously, as you will -- we'll act again, creating other new realities, which you can study too, and that's how things will sort out. We're history's actors ... and you, all of you, will be left to just study what we do."

Listening to the White House spiel is like being worked over by an old "I'm Chevy Chase and you're not" routine. Worse, according to Green's a and b of it:

The mainstream media cannot or will not point out Bush's inaccuracies and dishonesty as frequently as he practices them. Why? Because a) President Bush knows that our news outlets are afraid of the pain that conservative bloggers, talk show hosts and even the White House can inflict by impugning their impartial reputations, and b) the media likes to report the first three letters of what's news -- i.e. what's new -- and Bush's untruthful recidivism is old stuff.

So what does Green do? "I watch Jon Stewart's "Daily Show" every night," he writes. Fine. But as good as the Stewart show is, the idea of Mark Green glued to the tube to catch it every night is a little scary. You have to wonder whether someone who claims to be a serious politican could be making better use of his time.

Besides, the truth is that the radical press and blogosphere depend on the best of the mainstream media for accurate information. There are times, in fact, when nobody is more forceful in denouncing Dear Leader's regime than the editorial page of the most mainstream newspaper of all, The New York Times.

Last Friday's lead editorial, "A Profile in Timidity," was a case in point. "After more than a year's dithering," it said, the president's commission on intelligence gathering produced "a big dose of political spin that pleased the White House but provided little enlightenment for the public." The commission was bipartisan and toothless, yielding "nothing about the central issue -- how the Bush administration handled the intelligence reports on Iraq's weapons programs and presented them to the public to win support for the invasion of Iraq":

All we get is an excuse: the panel was "not authorized" to look at this question, so it didn't bother. The report says the panel "interviewed a host of current and former policy makers" about the intelligence on Iraq, but did not "review how policy makers subsequently used that information." (We can just see it -- an investigator holding up his hand and declaiming: "Stop right there, Mr. Secretary! We're not authorized to know what you did.")

Yes, the commission said Dear Leader's regime was "dead wrong" about WMD because intelligence analysis "was driven by a predetermined conclusion" that Saddam was a threat. Yes, it said "it is hard to deny that intelligence analysts worked in an environment that did not encourage skepticism about the conventional wisdom." (Love that double negative.)

But it utterly ignored the way President Bush, Vice President Dick Cheney, Defense Secretary Donald Rumsfeld and his team, and Condoleezza Rice, as national security adviser, created that environment by deciding what the facts were and saying so, repeatedly. ...[ And] it loyally maintains the fiction that Mr. Bush was just given bum information by incompetent intelligence agents.

If the commission's report had any value -- apart from serving as a reminder that the Senate Intelligence Committee is still working on its own investigation (don't hold your breath for revelations) -- the Times concluded, "it shows us what the 9/11 panel's report might have looked like if Mr. Bush had succeeded in making Henry Kissinger chairman."

That editorial may not be as funny as "The Daily Show," but it's as strong as anything Jon Stewart has to say. I bet he'd agree, and so would Henry.

April 5, 2005 12:09 PM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
HERMAN WOUK'S LATEST 
It's hard to say which comes off worse in Herman Wouk's latest novel, his first in a decade: the U.S. Congress or the American press. "A Hole in Texas" offers the choice between two emblematic stereotypes: a red-faced opportunist who heads the House Armed Services Committee and a mustachioed investigative reporter for the Washington Post.
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