WHEN LIBERALS LIE DOWN WITH WOLVES

So I was reading Eric Alterman's blog item "Wolfowitz on the record," about a cocktail party Tina Brown threw in Washington the other night, and I kept getting the creepiest feeling. The author of "What Liberal Media?" had just outdone himself, proving once and for all there really is no such thing as the liberal media. Alterman did this by fawning all over Wolfowitz with the peculiar awe of an autograph hound, disguised as, "I felt bad for the guy when I saw him standing by himself." And then he compounded my disbelief by painting a portrait of Wolfowitz as a misunderstood Worthy Wiseman.

Confused by Alterman's longing for Wolfowitz's approval -- at one point he suggests that Wolfowitz is the "perfect choice" to negotiate a peace settlement between the Israelis and the Palestinians and writes, seemingly in jest, "Somebody please run with this idea so I can go down in history as having lit the spark that solved the Palestinian problem" -- I asked my truly left-wing friend William Osborne to have a look at Alterman's item. This was his response, which pinpoints what's wrong as I could not:

The ironic subtext is that Alterman is very proud of himself for being invited to such an elite party. As Chomsky has noted, a principal function of elite universities is socialization in elitism itself. The status to get to these parties is what people like Alterman live for. All the talk of Harvard, Yale and the University of Chicago combined with such a deluded political atmosphere gives a sense of Washington's phony grandeur. There is something about Wolfowitz that is so tacky it would put off people even in my little hometown in New Mexico. Our country is slowly assuming the odd character of a nouveau-riche Raj in the early stages of a hokey empire. Alterman and the politicos pose with cocktails, so enamored of themselves, and yet the backdrop is so odd: a city with unbelievably massive ghettos, no decent mass transit system, depredation and poverty everywhere outside its grand monuments to power. The list of domestic short comings goes on and on, but never mind, we have our cloddish social Darwinist neo-cons and Doonesbury liberals delighted at being invited to the posh parties of the powerful. Conquering countries is so much more fun than building subways or creating decent high schools. One could sit in a corner at the party and see that history never changes. The march of folly will eventually collapse, rotted within.
March 9, 2005 10:13 AM |

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Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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