CREELEY REMEMBERED

Robert Creeley, who died yesterday at 78, wrote poetry with a spare minimalism that clarified, condensed and dissolved the distance between thought and feeling, between the real world and the imagined, between language and meaning. He was often more explicit than Samuel Beckett and much more approachable, but no less dense or elusive. Listen to him reading two poems: "Whatever" and "Thinking." They show both the difficult and the easy Creeley. When he spoke of the human condition, he never offered false hope:

THE MIRROR

Seeing is believing.
Whatever was thought or said,

these persistent, inexorable deaths
make faith as such absent,

our humanness a question,
a disgust for what we are.

Whatever the hope,
here it is lost.

Because we coveted our difference,
here is the cost.

In a review of "Life & Death," a book of Creeley's poems published in 1998, Tom Clark described his late poetry this way:

The poems have the sound of a mind with time on its hands and nowhere left to go. A life passes unhurriedly before one's eyes -- melancholy, oblique, fading in and out like the late rays of sun slanting through the condo's slatted blinds, as the poet meditates upon "What one supposes/ dead is . . . Will one fly away on angel wings,/ rise like a feather, lift/ in the thin air."

The sound of a mind with time on its hands and nowhere left to go. That's as fine a description as I've seen.

Postscript: A reader writes: "Robert Creeley was a gentle, generous and wonderful person. I had the pleasure to hang out with him. He and Pen [Penelope Highton] were lovely together. I will miss a dear friend. As Bob would say, 'Onward!'" -- Hank Barthel

Another writes: "As a young student, some thirty years ago, I came to know Bob Creeley. I took classes with him at Buffalo, and spent time hanging out at his place on Fargo Street, above a small grocery store. Bob was a gentle and extremely
generous soul, with steel within. His poems have literally walked me through life, and I'll never forget him or stop reading his work. He is an essential postmodern American." -- Jerry Kelly

Still another: "I was an undergraduate who wrote about Bob Creeley and had the honor of meeting him subsequently in Buffalo. The thing that impresses me the most about him is the generosity of the man in arranging my visit even though we only communicated via email prior to the visit. For a foreigner from Singapore who has an interest in American Lit, this was a better intro to Americans than any guide book. In these days of anti-Americanism, America can well do with such ambassadors of goodwill and generosity. Onward (in peace)." -- Gerard

March 31, 2005 9:41 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
HERMAN WOUK'S LATEST 
It's hard to say which comes off worse in Herman Wouk's latest novel, his first in a decade: the U.S. Congress or the American press. "A Hole in Texas" offers the choice between two emblematic stereotypes: a red-faced opportunist who heads the House Armed Services Committee and a mustachioed investigative reporter for the Washington Post.
more picks

Sites to See

About this Entry

This page contains a single entry by published on March 31, 2005 9:41 AM.

THE LITTLE BEAST was the previous entry in this blog.

MALCOLM GLADWELL BLINKS AT ABBIE CONANT is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

AJ Blogs

AJBlogCentral | rss

culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
CultureGulf
Rebuilding Gulf Culture after Katrina
diacritical
Douglas McLennan's blog
Flyover
Art from the American Outback
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

music
The Future of Classical Music?
Greg Sandow performs a book-in-progress
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
On the Record
Exploring Orchestras w/ Henry Fogel
PostClassic
Kyle Gann on music after the fact
Rifftides
Doug Ramsey on Jazz and other matters...
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

theatre
Stage Write
Elizabeth Zimmer on time-based art forms

visual
Aesthetic Grounds
Public Art, Public Space
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Creative Commons License
This weblog is licensed under a Creative Commons License.