BY THE NUMBERS: STUPIDITY, ARROGANCE, CRIMINALITY

Ever hear of the "10-30-30" plan? Probably not, if you don't closely follow military affairs. But you're doubtless familiar with the well-marketed phrase for a war strategy in Iraq that has already proved stupid, arrogant and criminal: "shock and awe." Think of 10-30-30 as the shock-and-awe specifics, "the specs" so to speak. According to the Los Angeles Times:

As the Pentagon begins a comprehensive review that will map the future of America's armed forces, many Defense Department officials are acknowledging that an intractable Iraqi insurgency they didn't foresee has undermined the military strategy. ...

The 10-30-30 construct said that the U.S. military should plan military actions to seize the initiative within 10 days of the start of an offensive, achieve limited military objectives within 30 days, and be prepared within another 30 days to shift military resources to another area of the world.

But reality intervened, and now "many Pentagon officials fear that the success Iraqi insurgents have had in preventing a U.S. troop reduction in Iraq could be the new rule, rather than the exception."

As few enemies choose to fight the U.S. military head-on, they might opt instead to fight protracted rear-guard insurgencies.

"I think that the Pentagon realizes by now that 10-30-30 is largely outdated," said Frank Hoffman of the Marine Corps' Center for Emerging Threats and Opportunities, a contributor to the Defense Science Board study. "It presumes a model of warfare that we ourselves have made obsolete."

The LAT piece is "a good article almost four years late," notes a friend of mine who makes it his business to be militarily well informed. Read the whole thing and see how Dear Leader's stupidity and Rummy Boy's arrogance prevailed.
March 13, 2005 12:03 PM |

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Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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