YOU CAN'T TAKE BETTY OUT OF BACALL

So, tonight's the Oscars? Who cares. Coincidentally, here's a review in today's Chicago Sun-Times of one Oscar non-winner's latest memoir. Not exactly heavyweight reviewing, but it pays for a few groceries. "Lauren Bacall, still salty at 80" begins:

When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.

But Bacall, who is one of a kind, always made the most of what she had, as this memoir proves for the second time. The first time was more than a quarter century ago, when By Myself was originally published to much praise, including a National Book Award.

That memoir ended with the early 1980s, half a dozen years after her return to New York from abroad and a decade after her divorce from her second husband, Jason Robards Jr. She had married Robards after the death of her first husband, Humphrey Bogart, and a post-Bogie love affair with Frank Sinatra, who'd asked her to marry him but suddenly "chickened out" (her term) when his proposal made the gossip columns. Not that we're keeping score, but let's face it -- Bacall certainly has -- her serial love life is one of the most fascinating aspects of her career

Go read the rest. It's reprinted here.

February 27, 2005 11:58 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
HERMAN WOUK'S LATEST 
It's hard to say which comes off worse in Herman Wouk's latest novel, his first in a decade: the U.S. Congress or the American press. "A Hole in Texas" offers the choice between two emblematic stereotypes: a red-faced opportunist who heads the House Armed Services Committee and a mustachioed investigative reporter for the Washington Post.
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This page contains a single entry by published on February 27, 2005 11:58 AM.

AN EXCHANGE WITH JASON LEOPOLD was the previous entry in this blog.

LAUREN BACALL, STILL SALTY AT 80 is the next entry in this blog.

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