THE NEGROPONTE GAMES

Apropos of yesterday's item about googling "Negroponte, mass murder": Democracy Now! has a top-notch segment this morning, headlined "Promoting the 'Ambassador of Torture'," which offers details on how our Dear Leader's nominee for national intelligence director "played a key role in coordinating U.S. covert aid to the Contras who targeted civilians in Nicaragua and shoring up a CIA-backed death squad in Honduras."

You won't find those details in today's New York Times reports on John Negroponte's nomination. Instead, you'll find this ass-covering piece of boilerplate in two largely favorable pieces about him and the appointment:

Mr. Negroponte is not an entirely uncontroversial choice: in his previous confirmation hearings, he was questioned about his performance as ambassador to Honduras in the 1980's. At that time the C.I.A. station and the embassy were accused of turning a blind eye to torture and other abuses by the Hondurans, and of shading reports of the situation in the country for political or ideological reasons.

That graf, from David Sanger's Man in the News commentary, "An Old Hand in New Terrain" (which reports that Negroponte, above, will be "a stabilizing force"), appears again in the main news story (relegated to sidebar status on the Website), like so:

In his previous confirmation hearings, Mr. Negroponte was asked about his time in Honduras in the 1980's. At that time the C.I.A. station and the embassy were accused of turning a blind eye to abuses by the Hondurans, and of shading reports of the situation in the country for political or ideological reasons.

You have to wonder about Sanger's soft-pedalling phrase "not entirely uncontroversial choice" and the notion that Negroponte was accused of merely "turning a blind eye" in light of the commentary by Peter Kornbluh, a senior analyst at the National Security Archive, who said this morning on Democracy Now! that when Negroponte was the U.S. ambassador in Honduras he was "active in running the paramilitary war" and that he subsequently lied to the Congress about it. That's a tad more than "turning a blind eye."

Further, how does the Times reconcile the ass-covering boilerplate with this, which appeared in the main news story just a few paragraphs earlier?

"Negroponte is not a guy who polishes up his reports so that they make people feel good, and he has the ability to speak very honestly to his superiors, without hedging things, and the president likes that," a Republican close to the White House said.

Speaks very honestly? Oh, really? Doesn't polish up his reports? Uh-huh. Dear Leader likes to hear the truth? Come again? And what about this? The Times highlights a pullquote in the print edition saying that Dear Leader regards Negroponte's "time in Iraq" as beneficial and "will aid him in the new post" of national intelligence director. Yet the main news story also says Negroponte was "known to be eager to leave Baghdad" and quotes an unnamed "senior administration official" as saying he "made clear to everyone every time he came back that 'I've got to get out of there.'"

What's that all about? Iraq was bad for his career? Bad for the U.S? He had a change of heart about torture? Who knows? The Times offers no further explanation. Could be a can of worms. Could be some apple polishing. Could be something "not entirely uncontroversial."

February 18, 2005 12:17 PM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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This page contains a single entry by CriticalMASS published on February 18, 2005 12:17 PM.

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