ON THE RECORD

Jason Leopold, whom I don't know, emailed me a while ago out of the blue: "Jan, Just wanted to pass this along. Feel free to contact me and call my publisher for a review copy." This was promotional material for his book, "Off the Record," with blurbs from various authors and journalists. We all know how hard it is for writers to get their books reviewed. I felt sympathetic. Plus, one of the blurbs was from Greg Palast, who was quoted in the email and on Leopold's Website as saying: "I love this book. I love Jason Leopold. When other US reporters were licking Ken Lay's loafers, Leopold went for Enron's thieving throat. ... Every journalist in America should read this, then quit or riot."

Whoa! Is there another Hunter S. Thompson in our midst? I messaged back (How could I not?): "Thank you for letting me know about OFF THE RECORD. I was unaware of it. I'd love to have a look at a review copy." I said I was duping the message to the publisher's publicist and added: "That's quite a rave from Greg Palast." Leopold replied: "Thanks so much for getting back to me. I love your work. [Ah, flattery.] I will make sure a galley is sent to you this week."

I considered messaging Palast to make sure his blurb was authentic. But then I thought, what the hell, I'll read the book and make up my own mind. The galley proof arrived. The subtitle promised "An Investigative Journalist's Inside View of DIRTY POLITICS, CORPORATE SCANDAL, and A DOUBLE LIFE EXPOSED." I began reading and kept wondering, where's the inside view of dirty politics and corporate scandal? There was almost nothing about that. The opening chapter teased me into believing there would be. The closing chapter pretended there had been. Everything in between was about one subject only: dirty, scandalous Jason Leopold, a conman who'd had a major story retracted and who bore no resemblance to Hunter S. Thompson.

It turns out "Off the Record" is the tale of a reporter investigating his own obsessions, not the corruption at Enron or the dirty dealings of public officials, except tangentially, when they concerned Leopold's manic transgressions as a person and a journalist (two states of being which, for him, were mutually exclusive). Where was the promised inside view of anything but his own head? The book was compulsive reading, I'll grant it that. It made me feel like a lookey lu who can't stop staring at the wreckage of a fatal crash. I kept watching the bodies being pulled out -- in this case just one body, Jason Leopold's, sad victim of an ego still grandstanding to the bitter end.

Postscript: This week's Village Voice has a piece on Leopold and the book, which concludes by "questioning whether 'Off the Record' will make it to store shelves," due to a potential defamation suit, or whether "Leopold will suffer yet another retraction." The book is listed for online pre-orders at both Amazon.com (linked above) and Barnes & Noble.com but hasn't been released.

February 24, 2005 10:15 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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This page contains a single entry by CriticalMASS published on February 24, 2005 10:15 AM.

MENCKEN-THOMPSON: A DEATH-DEFYING CONNECTION was the previous entry in this blog.

AN EXCHANGE WITH JASON LEOPOLD is the next entry in this blog.

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