HUNTER THOMPSON: A GONZO PREMONITION

The suicide of Hunter S. Thompson is a huge, irreplaceable loss. A lot of people didn't know of the Page 2 column he wrote on the Web for ESPN.com. But Hey, Rube was treasured by many of us who were not necessarily sports fans. His column, "Death in the afternoon," which was about the meaning of auto racing champ Dale Earnhardt's violent end, looks in hindsight like a gonzo premonition. It probably wasn't, yet it reads as though it might have been written about his own death.

Here's part of the lede:

It seemed to send a message, an urgent warning signal that something with a meaning beyond the sum of its parts had gone Wrong & would go Wrong again if something big wasn't cured -- not just in racing, but in the machinery of the American nation.

Thompson's death won't be mourned as widely as Earnhardt's. The same thing could be said of it, however, if not as a warning -- Thompson's whole career was a warning -- at least as confirmation that something in the machinery is way out of whack.

Here -- from another column -- you can see how Thompson turns a piece on the unworthiness of the XFL and its lousy TV ratings to more serious account.

The doomed league's TV ratings slipped another 25 percent for the weekend -- down 71 percent in the four quick weeks since Opening Day -- and that steep a slide is fatal.

If the Dow Jones Index plunged that many points in four weeks, the sidewalks of Wall Street would be littered with the broken bodies of Stockbrokers. Five-hundred people a day would be leaping to their deaths off the Golden Gate bridge.

The horrible reality of suddenly being stone broke and homeless is more than most people in this country can handle. They will literally seize up and go mad. Your everyday Nervous Breakdown is nothing compared to the hopeless Craziness of a man who woke up in the morning as a Prince and went to bed as a Toad.

That is a guaranteed overweening shock to the Central Nervous System; if you don't go insane from suddenly having to see everything in the world from a point only two inches high, your brain will be churned into cream by having to crawl, head-first, with your eyes open, down a muddy hole in the ground, just to have a place to sleep.

Nobody could handle a situation like That. It is Unacceptable. It is worse than any dream that ever happened in the worst and most tortured hallucinations ever suffered by the most pitiful LSD victim. ... I spent a lot of time with Allen Ginsberg, and I have swapped gruesome tales over whiskey at night with William Burroughs, and neither one of them ever even mentioned a vision so horrible as being instantly changed from a rich and powerful human like Donald Trump into a common leaping toad.

And here, too, you can see in hindsight a gonzo premonition of suicide. It is Thompson writing about himself but also about all of us in a steep, perhaps fatal slide, and a nation's seizure of madness.

February 21, 2005 1:28 AM |

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Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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