L.A. TIMES SMEARS GARY WEBB

If proof were needed that the Los Angeles Times is still covering its ass when it comes to Gary Webb, the investigative reporter who was found dead on Dec. 10 (an apparent suicide), the paper provided it Sunday with an obituary that is nothing less than character assassination. It's a bloody hatchet job on Webb and, equally important, a factual distortion of his revelatory 1996 series about Contra-related drug trafficking in Los Angeles during the '80s.

Why the Times has continued its willful campaign against Webb and his series is open to speculation. Is it because it is still ashamed that an outsider from a smaller California newspaper uncovered a national scandal with local L.A. track marks, which the Times itself should have been brave and smart enough to uncover on its own turf? Is it because it is still ashamed that, having been scooped at the time, it then went to extraordinary lengths to debunk the series, ostensibly to learn the truth but actually to re-assert its status as California's most informative daily?

If those are the institutional motives -- and not just the plain stupidity of individual editors and writers -- it has dangerous implications for the fourth estate, calling to mind the worst case Orwellian scenario of "1984," in which Big Brother's legion of scribes are employed in the Ministry of Truth, where they spend their lives "rewriting the past." And why are they bothering to rewrite the past? Because, as the Inner Party knows so well, rewriting the past (along with unending war) is the chief means of controlling the future.

The infamous slogans of the Inner Party, etched in elegant lettering on the white facade of the Ministry of Truth,

WAR IS PEACE
FREEDOM IS SLAVERY
IGNORANCE IS STRENGTH

are no more far-fetched today than they were during the onset of the Cold War, when Orwell wrote his cautionary novel. Though he took the Communist Party as the model for the Inner Party and was extrapolating from the Soviet Union for the totalitarian society of Oceania, Orwell might, if he were around today, find the current U.S. situation too close for comfort.

The war on terror (which we've been told has no forseeable end) is eerily reminiscent of Oceania's endless war against Eurasia or Eastasia (the enemy keeps changing). The Patriot Act (which threatens civil liberties while designed to protect us), the invasion of Iraq (which we are now told is intended to liberate its people, bringing democracy at the point of a gun), the torture of prisoners at Guantanamo, Abu Ghraib and other detention camps (which was rationalized as legal in White House and Pentagon memoranda) the closed circle of neocon advisers to the Ignoramus in Chief who never made a mistake (which he believes was confirmed by the recent election), all have parallels in Oceania.

I believe, or would like to think, that Gary Webb's obituary in the Los Angeles Times is a matter of short-sighted individuals and not institutional motives. Either way, it's inexcusable. As my friend Bill Osborne writes:

Notice there is no mention whatsoever in the obit that the investigation of the CIA's General Inspector corroborated the main themes of Webb's reports: The CIA knew that people closely tied to the Contras were selling drugs in the United States to fund their war in Nicaragua, and that the CIA hindered police investigations into the operation. This is not some sort of conspiracy theory, but the findings of our own government's investigation.

The obit also does not mention that this Contra-related drug operation established the first large crack market in the U.S., and that it was centered in South-Central Los Angeles. Nor do they mention Webb's very plausible hypothesis that this contributed to an extremely destructive chain reaction that strongly damaged black communities throughout the country during the 1980s and early '90s.

Osborne also speculates:

If the truth of the government's corroboratory investigation of Contra drug-running had been squarely reported at the time, it would probably have eventually led to major reforms in our government that would have very likely put the neocons out of power. This suggests that the mainstream media might have, at least in part, been politically motivated to overlook the story. Apparently, it still is.

In any case, these events illustrate failures in the press that need to be thoroughly researched and analyzed. The recent press failures regarding the build up to the invasion of Iraq are another example pointing to a continuing problem.

There are probably many levels to the situation that involve the psychology, sociology and ethics of journalism as shaped (and even coerced) by a very complex governmental, economic and social context. Taken together, these factors seem to create a systemic problem in American journalism. The explanations might not be simple, but they could probably be established. This would help lead to remedies.

Sadly, the truth about the Contras will probably not be widely reported until the vested interests of those in power, both on the left and right, and in the government and the media, no longer remain.

"In the meantime," he asks, "what are we to do?"

Postscript: I see, courtesy of Jim Romenesko, that Marc Cooper also rips into the Times and does it better. And here's more on the Webb takedown from David Corn.

December 16, 2004 10:49 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
HERMAN WOUK'S LATEST 
It's hard to say which comes off worse in Herman Wouk's latest novel, his first in a decade: the U.S. Congress or the American press. "A Hole in Texas" offers the choice between two emblematic stereotypes: a red-faced opportunist who heads the House Armed Services Committee and a mustachioed investigative reporter for the Washington Post.
more picks

Sites to See

About this Entry

This page contains a single entry by published on December 16, 2004 10:49 AM.

GARY WEBB, R.I.P. was the previous entry in this blog.

BACKING OFF is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

AJ Blogs

AJBlogCentral | rss

culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
CultureGulf
Rebuilding Gulf Culture after Katrina
diacritical
Douglas McLennan's blog
Flyover
Art from the American Outback
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

music
The Future of Classical Music?
Greg Sandow performs a book-in-progress
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
On the Record
Exploring Orchestras w/ Henry Fogel
PostClassic
Kyle Gann on music after the fact
Rifftides
Doug Ramsey on Jazz and other matters...
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

theatre
Stage Write
Elizabeth Zimmer on time-based art forms

visual
Aesthetic Grounds
Public Art, Public Space
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Creative Commons License
This weblog is licensed under a Creative Commons License.