REMEMBERING 'UNCLE WALTER' CRONKITE

With Thanksgiving approaching I thought I was through blogging this week, but Dan Rather's sudden resignation as CBS news anchor brought out the worst in me: A sentimental memory of my news story about the resignation of his predecessor, Walter Cronkite, nearly a quarter century ago. It appeared on the front page of the Chicago Sun-Times on March 7, 1981 -- a Saturday -- which would account for the major play except for the fact that Cronkite's exit, unlike Rather's, was regarded as the departure of everybody's favorite uncle.

Cronkite said what was expected of him ("This is but a transition, a passing of the baton," etc.). He mentioned the "great broadcaster and gentleman" who preceded him, Doug Edwards, and the one who would follow him, Dan Rather. He noted that Rather "will be sitting in here for the next few years." Given the $23 million CBS had agreed to pay Rather for the next 10 years, it was probable, I wrote, that Cronkite did not intend the remark to forecast a premature departure for his successor.

But perhaps he did unconsciously hope that Rather might be a flop. Because, as I see from my story, Cronkite, who had never displayed a sense of humor in the anchor's chair (at least none that I can recall), during a break "looked at the script he had written for his closing -- which had been kept secret -- and began kidding: 'I'm not gonna read this!' Then he turned and shouted into the 'fishbowl,' the glass-enclosed area where his producers sit: 'I've changed my mind! Tell Rather I've changed my mind!'"

November 24, 2004 1:11 AM |

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Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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