MORE FROM CENSOR CENTRAL

Has free speech in America come to this? The 2003 Nobel Peace Prize laureate cannot publish her memoirs in this country because of a U.S. trade embargo regulation "intended to punish repressive governments such as the regime in Tehran that once sent her to jail," The Wall Street Journal reports this morning.

The irony is mind-boggling. WSJ reporter Jess Bravin writes, "When Shirin Ebadi won the Nobel Peace Prize last year, President Bush congratulated the Iranian lawyer and children's advocate for 'her lifetime championing human rights and democracy.'" Yet "when Ms. Ebadi sought to publish her memoirs in the U.S., she was startled to discover that doing so would be illegal. ..."

So last week Ebadi's American literary agency sued the U.S. Treasury Department, which enforces the embargo regulation, for ignoring "congressional directives to exempt information and creative works from the trade sanctions, and more broadly violat[ing] the First Amendment rights of Americans to read what they wish."

Ebadi contends in an affidavit that the restrictions "seem to defy the values the United States promotes throughout the world, which always include free expression and the free exchange of ideas." Seem to? That's being charitable.

And here's another peculiar irony. "The way the Treasury Department interprets the trade embargo," Bravin writes, "Ms. Ebadi would have been free to publish a translation of her book in the U.S. had it originally been issued in Iran."

If this were a movie pitch, it would be Shirin Ebadi meets Franz Kafka in "Amerika," a claustrophobic land where, as one reviewer put it, the Statue of Liberty holds "the sword in her hand instead of the torch -- a symbol of war and violence instead of freedom and enlightenment."

November 1, 2004 9:29 AM |

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Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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