MASQUERADE

How many gaffes and factual errors will be heard in tomorrow night's third presidential debate? It's anyone's guess. But our hothead Ignoramus in Chief is sure to make the most of his chance to display more of them.

Which reminds me: Steven Lubet, a constitutional law professor at Northwestern University, picked up on the ninny's remark in the second debate about the Dred Scott case and filling a vacancy on the Supreme Court, but completely missed the intention behind it.

The professor laments the ninny's "woeful ignorance of American history" and points out that his understanding is upside down and backwards. "This is no small matter," Lubet writes. "The president must defend and uphold the United States Constitution, so it seems pretty reasonable to expect him to know something about it, not to mention the causes of the Civil War."

He's correct, of course. It is no small matter. But Lubet apparently doesn't realize that this time the ninny's remark was code masquerading as ignorance, a signal to his anti-abortion base. Lubet must have missed Joe Buck's post on Saturday at Kicking Ass, Daily Dispatches From the DNC:

Some of you might be wondering why [Bush] brought up Dred Scott (he wouldn't appoint a justice who agreed with the Dred Scott decision). This was code. To break the code, Google for "Dred Scott Roe Wade". Pro-life activists regularly call the Roe v. Wade decision "Dred Scott II." So what Bush was doing was to communicate to his followers that he would appoint judges who will overturn Roe v. Wade, in a tricky way that would cause the rest of us, who don't follow pro-life rhetoric, to miss it.

Here's Timothy Noah's clarifying follow-up in Slate on Monday. It neatly explains the ninny's "borderline-incoherent ramble." I suspect the good professor isn't as Web savvy as he might be. Ditto for the Trib's op-ed editors.

Postscript: A reader writes:

You may have gotten Bush off the hook.  Many, probably especially Lubet (who is very conservative), know the code.  What hardly anyone recalls (or ever knew) is Article 4.  The Dred Scott decision was strictly correct. It is not a misinterpretation of the constitution.  The code backfired.  It is emblematic of the ignorance of its users, especially its creators.

The reference is to Article IV, Section 2, Clause 3 (scroll down).

From another reader: "You and Joe Buck make a good point. Not since the Communists or the white supremacists has any speaker delved in code terms as much and as skillfully as Bush. The Rapture hides in every other word."

October 12, 2004 3:22 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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