BELLE DE NUIT

Will the wonders of technology never cease? Two mavericks in economics -- Edward C. Prescott, 63, and Finn E. Kydland, 60 -- were just awarded the 2004 Nobel Prize for demonstrating that "innovative technology" and some other stuff "play a much greater role in causing booms and recession than fluctuations in demand." In other words, they "placed new emphasis on supply-side shocks like technology in explaining higher productivity."

This must hardly come as news to Mae Lee, a Jersey City, N.J., madam who has exploited the power of technology to grow her business and increase its productivity. As Andrew Jacobs reports this morning, "The realm of the dingy bordello and the vengeful pimp is increasingly giving way to professionally run enterprises, many of them headed by women, that have seized on the anonymity and marketing power of the Internet."

Nobel laureates Prescott and Kyland did not mention the empowerment of women in their prize-winning work, clearly an oversight. But Jacobs, who did not share in the prize, points out that the Manhattan Yellow Pages these days lists more than 30 pages of escort services, far more than the number of pages listing psychologists, plumbers or real estate brokers. (Talk about empowerment, Mae Lee also runs "a Christmas toy drive for needy children.")

As long as the subject of technologically empowered call girls has come up, our favorite former blogger, Belle de Jour, will have a book out soon, "Intimate Adventures of a London Call Girl." If it's as entertaining her blog was, it ought to be a movie.

Coincidentally, a friend writes:

I saw Robert Frank's "Cocksucker Blues" (actually it was little more than raw footage barely spliced together) at a special screening, when I was living in London. It was at a little avant-theater in Chelsea. Go see it if it comes your way ... classic verite in the rawest sense, "real" to say the least. I always wondered what happened to that footage. Frank, as you likely know, made "Pull My Daisy" with Kerouac, Ginsberg and Corso in the late '50s.

Released in 1959, to be exact. There's also a jazz album "Pull My Daisy," by the David Amram Quartet, and a poem "Pull My Daisy," by Kerouac, Ginsberg and Neal Cassady. Here's the first stanza:

Pull my daisy
tip my cup
all my doors are open
Cut my thoughts
for coconuts
all my eggs are broken
Jack my Arden
gate my shades
woe my road is spoken
Silk my garden
rose my days
now my prayers awaken

That's the technology of language. Very productive.

October 12, 2004 10:15 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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