NOT THE YELLOW BRICK ROAD

Seymour Hersh hit the airwaves this morning on "Meet the Press" and is scheduled tonight on "Dateline NBC" to talk about (OK, promote) his new book "Chain of Command: The Road from 9/11 to Abu Ghraib," which is being released Monday.

I didn't watch "Meet the Press" because it had Colin Powell about to do his spiel. Having just seen his non-responsive interview with George Stephanopoulos an hour earlier on "This Week," I thought, "No point in listening to that all over again." Wish I'd known Hersh was scheduled, too (along with Bob Woodward). So I'll tune in tonight to catch him on "Dateline." (West Coasters still have a chance to tune in to "Meet the Press" this morning.)

In any case, an early glimpse of the book was offered in Sunday's New York Times in a news story headlined, "New Book Says Bush Officials Were Told of Detainee Abuse." Among other things, it reports:

Mr. Hersh asserts that a Central Intelligence Agency analyst who visited the detention center at Guantánamo Bay, Cuba, in the late summer of 2002 filed a report of abuses there that drew the attention of Gen. John A. Gordon, a deputy to Condoleezza Rice, the White House national security adviser. But when General Gordon called the matter to her attention and she discussed it with other senior officials, including Defense Secretary Donald H. Rumsfeld, no significant change resulted.

Times reporter John H. Cushman Jr. offers the caveat that "Mr. Hersh's account is based on anonymous sources, some secondhand, and could not be independently verified." I offer a reminder of our rant three weeks ago, DON'T MAKE SY HERSH LAUGH, about "systemic failure, the fondly brandished euphemism for failure to take personal responsibility," being used as cover for the criminal judgments of the top brass in the White House and the Pentagon.

September 12, 2004 12:14 PM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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