HOPE AND UNHOPE

A friend writes:

Here's An Excellent Exposition of the Nature, Power, and Value of Rhetoric in a Context of National Importance. It's an article by Stanley Fish, which is timely beyond words (almost).

In speaking of George Bush's rhetoric, for instance, Fish notes: "There is of course no logical relationship between the repetition of a sound and the soundness of an argument, but if it is skillfully employed repetition can enhance a logical point or even give the illusion of one when none is present."

It gives me hope.

Ain't it peculiar? That article left me with the exact opposite feeling. It gave me unhope. True, when it comes to our Nincompoop in Chief, I'm a congential unhopeist. And what hope can an unhopeist take from Fish's concluding paragraph?

Nervous Democrats who see their candidate slipping in the polls console themselves by saying, "Just wait, the debates are coming." As someone who will vote for John Kerry even though I voted against him in my class, that's just what I'm worried about.

"There IS hope," my friend insisted.

Deficiency in rhetoric is fixable. Deficiency in judgment is another matter. Fish's article itself may help. Some of Kerry's advisors are sure to read it. I find it more than sufficiently clear and pointed to force them to think.

Also, Fish pulls the curtain back on the key Bush means for convincing many that white is black: "... if it is skillfully employed repetition can enhance a logical point or even give the illusion of one when none is present."

The Bush use of such rhetorical devices to make points when there are none is constant. The media, especially television, not only do not question it let alone ridicule it, they quote it and discuss it as though the "point" was there to make and he made it.

That is why Fish gives me hope. Unfortunately, your concern is valid, too.

A reasonable friend he is. I replied, this gives me hope:

In heavily Democratic areas -- 60 ZIP codes mostly in the core of big cities like Cleveland, Dayton, Columbus and Youngstown that voted two to one or better against Mr. Bush -- new registrations have more than tripled over 2000, to 63,000 from 17,000.

In Florida, where The [New York] Times was able to analyze data from 60 of the state's 67 counties, new registrations this year also are running far ahead of the 2000 pace, with Republican areas trailing Democratic ones. In the 150 ZIP codes that voted most heavily for Mr. Bush, 96,000 new voters have registered this year, up from 86,000 in 2000, an increase of about 12 percent.

But in the heaviest of Democratic areas, 110 ZIP codes that gave two-thirds or more of their votes to Al Gore, new registrations have increased to 125, 000 from 77,000, a jump of more than 60 percent. ... [And] in Duval County, where a confusing ballot design in 2000 helped disqualify thousands of ballots in black precincts, new registrations by black voters are up 150 percent over the pace of 2000.

How 'bout that?

September 27, 2004 9:39 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
HERMAN WOUK'S LATEST 
It's hard to say which comes off worse in Herman Wouk's latest novel, his first in a decade: the U.S. Congress or the American press. "A Hole in Texas" offers the choice between two emblematic stereotypes: a red-faced opportunist who heads the House Armed Services Committee and a mustachioed investigative reporter for the Washington Post.
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