CATCHING UP WITH LEON

New verse has arrived about soon-to-be Prisoner of the Year:

MARTYR MARTHA

Martha Stewart: "There are many, many good people who have gone to prison. Look at Nelson Mandela."

Send me to jail, Martha pleads,
Even though I'm a star;
Nothing I did was wrong -- that's
Where the good people are.

-- Leon Freilich

It has also not escaped our notice that The New York Times keeps copping our stuff. This time they copped Straight Up's poet laureate, although, it must be said, not without his collusion.

Here's what happened: Earlier this week reporter Michael Luo wrote a story about etiquette on the New York subway, "Excuse Me. May I Have Your Seat?'" As Luo put it, the story explored -- take a deep breath -- "the web of unwritten rules that govern behavior underground, including the universally understood and seldom challenged first-come-first-served equity of subway seating."

This fascinating tale of guilt and dread and a thousand other human emotions drew letters to the editor from interested subway riders, not surprisingly, and from one weird guy who hails from Illinois. They were published under the headline "Is Chivalry Dead? Or Is It Underground? (6 Letters)" One of the letters went like this:

To the Editor:

Tension filled the humid air,
With subway riders looking beat,
As fearless reporters took the dare:
"Brother, can you spare a seat?''

-- Leon Freilich
Brooklyn, Sept. 14, 2004

I think it's wonderful that the Letters to the Editor editor of the Times recognizes the value of Leon's sublime poetry. But I hope, with all due respect, Leon doesn't go getting himself a swelled head.

Postscript: In the spirit of Beckett and others on Joyce ("Our Exagmination Round His Factification for Incamination of Work in Progress"), the poet responds:

Pinhead one day,
Swelled head the next;
Only a saint
Would not be vexed.

September 18, 2004 9:43 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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This page contains a single entry by CriticalMASS published on September 18, 2004 9:43 AM.

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