WEATHERING THE SHORTCUTS?

Let's be grateful that Louis Menand did not become a brain surgeon. If he had, he probably would never have found the time to apply his scalpel to intellectual history, as he did in his spellbinding best-seller, "The Metaphyical Club," or as he does in "The Unpolitical Animal," his dissection of how voters think, in the current New Yorker.

To get a true sense of Menand's surgical skills, you have to read the New Yorker piece in its entirety. It's short anyway, and a mere summary won't do. But just to whet your appetite, here -- chosen at random -- are some of the things he notes as he reviews various political theories based on "Winning Elections: Political Campaign Management, Strategy & Tactics" by Ron Faucheux and Ronald A. Faucheux; a 1964 article by political scientist Bruce M. Sabin on "The Nature of Belief Systems in Mass Publics"; as well as a 2004 paper written by Princeton political scientists Christopher Achen and Larry Bartels; a theory of shortcuts, particularly the ideas of M.I.T. professor Samuel Popkin; and "Culture War? The Myth of a Polarized America" by Stanford's Morris Fiornia and others:

+ An estimated "2.8 million people voted against Al Gore in 2000 because their states were too dry or two wet" as a consequence of that year's weather patterns. Achen and Bartels think that these voters cost Gore seven states, any one of which would have given him the election.

+ In election years from 1952 to 2000, when people were asked whether they cared who won the Presidential election, between twenty-two and forty-four per cent answered "don't care" or "don't know." In 2000, eighteen per cent said that they decided which Presidential candidate to vote for only in the last two weeks of the campaign; five per cent, enough to swing most elections, decided the day they voted.

+ The most widely known fact about George H.W. Bush in the 1992 election was that he hated broccoli. Eighty-six percent of likely voters in that election knew that the Bushes's dog's name was Millie; only 15 percent knew that Bush and Clinton both favored the death penalty.

+ Three theories have arisen. The first is that electoral outcomes, as far as "the will of the people" is concerned, are essentially arbitrary. The fraction of the electorate that responds to substantive political arguments is hugely outweighed by the fraction that responds to slogans, misinformation, "fire alarms" (sensational news), "October surprises" (last-minute sensational news), random personal associations, and "gotchas."

+ A second theory is that although people may not be working with a full deck of information and beliefs, their preferences are dictated by something, and that something is �lite opinion. Therefore, democracies are really oligarchies with a populist face.

+ The third theory of democratic politics is the theory that the cues to which most voters respond are, in fact, adequate bases on which to form political preferences. People use shortcuts -- the social-scientific term is "heuristics" -- to reach judgments about political candidates, and, on the whole, these shortcuts are as good as the long and winding road of reading party platforms, listening to candidate debates, and all the other elements of civic duty. The will of the people may not be terribly articulate, but it comes out in the wash.

Or in knowing how to eat a tamale. (You have to read the article.)

Finally, there is no culture war among Americans at large, despite polls indicating that the public is polarized into a "red state-blue state" paradigm. Opinions on most hot-button issues do not differ significantly between voters in red states and voters in blue states. "What has become polarized, Fiornia argues, is the �lite."

Menand's piece would be hilarious, if it weren't so scary.

August 24, 2004 12:56 PM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
more picks

Sites to See

About this Entry

This page contains a single entry by CriticalMASS published on August 24, 2004 12:56 PM.

THE BUCK STOPS SOMEWHERE ELSE was the previous entry in this blog.

STILL LAUGHING is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

Creative Commons License
This weblog is licensed under a Creative Commons License.