OUR NINCOMPOOP IN NICEVILLE

In case we forgot to mention this from today's Washington Post:

The economy has 1.1 million fewer jobs than the day Bush took office, making it more than likely he will join Herbert Hoover as the second president to see the nation suffer a net job loss on his watch. The economy is 7 million jobs short of the level the White House had predicted when trying to sell the tax cuts. And a 10-year budget outlook that in 2001 projected $5.6 trillion in surpluses now foresees $2.7 trillion in deficits, an unprecedented fiscal swing.

The Post reports that "rather than acknowledging failure" for his tax policy, our Nincompoop in Chief is expected to continue repeating the same old mantra he's been offering in his campaign, most recently on Monday from the Oval Office: "The economy is strong, and it's getting better."

If he needs a different mantra, Straight Up poet laureate Leon Freilich has one for him. How about this?

NEW AXIS OF TAXES

NICEVILLE, Fla. (Reuters) - President Bush said on Tuesday that abolishing the U.S. income tax system and replacing it with a national sales tax was an idea worth considering. [Aug. 11, 2004]

Even nicer, the tax
Would have a progressive bent--
Nine or ten for the poor,
For the rich, one percent.

August 11, 2004 6:04 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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This page contains a single entry by CriticalMASS published on August 11, 2004 6:04 AM.

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