POLITICAL JAZZ

Can you believe this? "I pray whoever is leading the country will be led by God, and I believe this current administration answers to a higher calling," said Mr Bernsen, a well-known jazz musician living in Fort Lauderdale, Florida.

"I don't wear the man's shoes, but there's enough fruit that falls from that tree to tell me what I need to know. I believe George Bush has surrounded himself with enough of the right people for me to know he is a godly person."

It's helpful to know that Randy Bernsen is a godly person himself, if being a member the Calvary chapel mega-church in Fort Lauderdale and of a group called Christian Jazz Artists does the trick. More helpful would be the answer to this question: Is Bernsen's jazz godly?

Judging from this recording Live @Tavern 213, I'd say not a chance. Even recorded live -- scratch that, especially recorded live -- he sounds no better than canned. Some folks, like these reviewers, would beg to differ. Make up your own mind. Here's a home video sample of Bernsen playing solo.)

Admittedly, he does have a way with a title. Here's a cutie: "Music for Planets, People & Washing Machines." Maybe he sounds better on that CD, although I doubt it. But whatever his jazz sounds like, as a polite friend says, "if he really thinks the stuff falling from that tree is fruit, he must have the eating habits of a coprophagus."

Postscript from a reader: "Enjoying being petty: I listened, watched, and winced. I think 'canned' is extremely generous. Why is this no surprise after reading his quote?"

July 6, 2004 8:53 AM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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This page contains a single entry by CriticalMASS published on July 6, 2004 8:53 AM.

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