NOTES FROM ROSIE'S MEMORIAL SERVICE

Went to the memorial service for Rosemary Breslin this afternoon. She was a terrific gal. Used to work with her at the Daily News. She died the other day at age 47 of a mysterious blood disease so rare that it still has no name. She called it "the headache that wouldn't go away." Something like that. And she wrote a lovely memoir, "Not Exactly What I Had in Mind." Here's her obit.

The service was at St. Francis of Assisi, just south of Manhattan's Herald Square. Church interior not what I expected. Not gloomy or dim or depressing at all. Bright in fact. Painted in shades of cream and ivory and light tan. Lighted chandeliers. Very attractive. The Franciscans must have a great interior decorator.

In tile of the arch above the alter: "QUEEN OF THE ORDER OF FRIARS MINOR PRAY FOR US." Had no idea what the "friars minor" refers to.

Dunno how many people were there. At a minimum 800, maybe 1000. Le tout New York, or at least the cream of the Irish. Every pew was filled. They had to bring out extra chairs and that was still not enough to accomodate the crowd. I walked in, by coincidence, with Pete Hamill and his attractive, hip-looking Japanese wife, the journalist Fukio Aoki. (I think she's his wife.)

A pianist was playing Broadway show tunes and standards on a Steinway grand before the service began. Tunes such as "Some Day Over the Rainbow" and "Smoke Gets in Your Eyes" and "Someone to Watch Over Me," and plenty more, many from the Gershwin songbook. Sounded like a great big cocktail party disguised in church decorum. Rosie, who designed the service, had a romantic streak -- and a great sense of humor.

I sat next to New York City Police Commissioner Raymond Kelly. I'd left my seat before the service got started. The guy next to me said he'd save it for me, as I had saved his when he got up. Anyway, when I returned to my seat, there was Ray, clearly a friend of the guy who was saving my seat. Ray squeezed over to let me sit back down. It was obvious he'd been delegated to do the saving. Less roomy than before, but more interesting.

A white-robed Franciscan priest read a passage from the Prophet Isaiah, also from Psalm 23. Rosie's four brothers and a sister spoke. Then there was a trumpet solo of another show tune. Her nurse spoke and said Rosie had had 15 years of blood transfusions from strangers, making the point that Rosie had a big BIG b-i-g  B-I-G-G-E-R family, so to speak, than her immediate one, which is v. big.

Rosie's husband Tony Dunne and Tony's aunt, Joan Didion Dunne, spoke. Couldn't hear much of what Joan said. But Tony delivered the afternoon's best punchline. He recalled the advice he got from Rosie's father, Jimmy Breslin, on coping with Rosie's death: "SUFFER!!" Tony also recalled Rosie's advice. She told him, "I gave you 15 years of my life. Don't screw it up."

Then the trumpet player played "Amazing Grace" with piano accompaniment and led the family up the center aisle and out the door, followed by the crowd. There were people in tears. But this was not a funeral service in mourning. Rosemary Breslin wouldn't have allowed that.

June 17, 2004 6:26 AM |

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Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
SAMMY'S WHITE DREAMS 
Four decades ago Lenny Bruce sentenced Sammy Davis Jr. to "30 years in Biloxi," stripping him of "his Jewish star" and "his religious statue of Elizabeth Taylor." Now we have two new biographies of Davis that spring him from ridicule, if not from doubts about his legacy, and restore a measure of dignity to a black entertainer whose huge fame and success never overcame his devout wish -- indeed his lifelong effort -- to be white.
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