FAT CATS

The full-page newspaper ad for THE CONCERT FOR JOHN KERRY at Radio City Music Hall had a star-spangled banner wrapped around an electric guitar. Black background. White type. It said: "A Change Is Going to Come." It said there will be performances by Jon Bon Jovi, Whoopi Goldberg, Wyclef Jean, John Mellencamp, Bette Midler, James Taylor and Robin Williams.

But here's where it gets interesting. According to the ad, tickets are on sale by phone only through Ticketmaster. The ad gave the number to call. It also gave a different phone number and organization for "VIP Orchestra tickets and Premium Seats." I wanted a regular ticket. The kind that ordinary people could buy. There were no prices listed in the ad, but I figured I'd go as high as $100 if I had to. (Frankly, I didn't really care about the show. I wanted to go strictly for research, to see whether it could serve as the model for a fictional event in a novel I'm writing.)

The Ticketmaster operator set me straight. The price of a "regular," non-VIP ticket for a seat in the orchestra is $1,000. "What's the cheapest seat in the house?" He told me: $250, in the balcony. No wonder there is no mention of ticket prices in the ad, or even on the Ticketmaster site for the concert. Why advertise bad news? They need to give you that in private. "Never mind," I said. "You're sure this is a Kerry fund-raiser, not a Bush fund-raiser?"

Will somebody please remind Kerry and the show's producers -- Jann S. Wenner, John Sykes and Harvey Weinstein -- that ordinary people don't have $1,000 to shell out so showbiz celebrities can raise funds for a multimillionaire candidate, even if he is a Democrat? Even if we need him to rid ourselves of the multimillionaire Republican in the White House?

The show is likely to be SRO, and if it isn't they'll paper the house. But one thing is certain. It will not be ordinary folks cheering the candidate on at Radio City Music Hall. It will be an audience of fat cats.

Footnote: The online reproduction of the full-page ad, THE CONCERT FOR JOHN KERRY, mentions price information (in very small type) that did not appear in the print version. 

June 2, 2004 10:44 AM |

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Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
HERMAN WOUK'S LATEST 
It's hard to say which comes off worse in Herman Wouk's latest novel, his first in a decade: the U.S. Congress or the American press. "A Hole in Texas" offers the choice between two emblematic stereotypes: a red-faced opportunist who heads the House Armed Services Committee and a mustachioed investigative reporter for the Washington Post.
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This page contains a single entry by published on June 2, 2004 10:44 AM.

THE MEA CULPA VERDICT was the previous entry in this blog.

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